Quindecennial (15-year-old) Backlist

#1 NEW YORK TIMES BESTSELLER • NOW A NETFLIX FILM • A remarkable tale of the island of Guernsey during the German Occupation, and of a society as extraordinary as its name. “Treat yourself to this book, please—I can’t recommend it highly enough.”—Elizabeth Gilbert, author of Eat, Pray, Love “I wonder how the book got to Guernsey? Perhaps there is some sort of secret homing instinct in books that brings them to their perfect readers.” January 1946: London is emerging from the shadow of the Second World War, and writer Juliet Ashton is looking for her next book subject. Who could imagine that she would find it in a letter from a man she’s never met, a native of the island of Guernsey, who has come across her name written inside a book by Charles Lamb. . . . As Juliet and her new correspondent exchange letters, Juliet is drawn into the world of this man and his friends—and what a wonderfully eccentric world it is. The Guernsey Literary and Potato Peel Pie Society—born as a spur-of-the-moment alibi when its members were discovered breaking curfew by the Germans occupying their island—boasts a charming, funny, deeply human cast of characters, from pig farmers to phrenologists, literature lovers all. Juliet begins a remarkable correspondence with the society’s members, learning about their island, their taste in books, and the impact the recent German occupation has had on their lives. Captivated by their stories, she sets sail for Guernsey, and what she finds will change her forever. Written with warmth and humor as a series of letters, this novel is a celebration of the written word in all its guises and of finding connection in the most surprising ways.Praise for The Guernsey Literary and Potato Peel Society“A jewel . . . Poignant and keenly observed, Guernsey is a small masterpiece about love, war, and the immeasurable sustenance to be found in good books and good friends.”—People “A book-lover’s delight, an implicit and sometimes explicit paean to all things literary.”—Chicago Sun-Times “A sparkling epistolary novel radiating wit, lightly worn erudition and written with great assurance and aplomb.”—The Sunday Times (London) “Cooked perfectly à point: subtle and elegant in flavour, yet emotionally satisfying to the finish.”—The Times (London)

NATIONAL BESTSELLER • In "one of Morrison's most haunting works" (New York Times) the acclaimed Nobel Prize winner reveals what lies beneath the surface of slavery. But at its heart, like Beloved, it is the story of a mother and a daughter—a mother who casts off her daughter in order to save her, and a daughter who may never exorcise that abandonment.In the 1680s the slave trade in the Americas is still in its infancy. Jacob Vaark is an Anglo-Dutch trader and adventurer, with a small holding in the harsh North. Despite his distaste for dealing in “flesh,” he takes a small slave girl in part payment for a bad debt from a plantation owner in Catholic Maryland. This is Florens, who can read and write and might be useful on his farm. Rejected by her mother, Florens looks for love, first from Lina, an older servant woman at her new master's house, and later from the handsome blacksmith, an African, never enslaved, who comes riding into their lives.

The Man Booker Prize shortlisted debut that has already earned comparisons to such classics as A Confederacy of Dunces and the early works of John Irving and Martin Amis.

"The Office" meets Don DeLillo in this hilarious debut novel by the founding editor of The Believer.

A stunning first novel by an accomplished young writer takes us, via several generations of marriages, to decades of war and displacement in Sri Lanka.

In the tradition of The Last Samurai, and Shogun, The Blade of the Courtesans is a sweeping look at a bygone Japan decorated with colorful mores and costumes, and punctuated with epic sword-fighting scenes and searing romance.

Finalist for Best Translated Book of 2008 by the Hermeneutic CircleFrench Voices AwardA lonely young woman works as an announcer in Paris's gare du Nord train station. Obsessed with a man attached to another woman, she wanders through the world of dinner parties, shopping excursions, and chance sexual encounters with a sense of haunting expectation. As something begins to happen between her and the man she loves, she finds herself at a crossroads, pitting her desire against her sanity. This smashing debut novel sparkles with mordant humor and sexy charm.

A ravishing love story on the scale of The English Patient or Ian McEwan's earlier works, Takagi is also frequently compared to Marguerite Duras. With the added patina of Asian sensibilities, The Transluscent Tree is one of the grandest literary love stories in Japanese history sure to strike a chord with American readers too.

A master of American letters and the author of the acclaimed Rabbit series returns with a sequel to The Witches of Eastwick about the three much-loved divorcées—three decades later. More than three decades have passed since the events described in John Updike’s The Witches of Eastwick. The three divorcées—Alexandra, Jane, and Sukie—have left town, remarried, and become widows. They cope with their grief and solitude as widows do: they travel the world, to such foreign lands as Canada, Egypt, and China, and renew old acquaintance. Why not, Sukie and Jane ask Alexandra, go back to Eastwick for the summer? The old Rhode Island seaside town, where they indulged in wicked mischief under the influence of the diabolical Darryl Van Horne, is still magical for them. Now Darryl is gone, and their lovers of the time have aged or died, but enchantment remains in the familiar streets and scenery of the village, where they enjoyed their lusty primes as free and empowered women. And, among the local citizenry, there are still those who remember them, and wish them ill. How they cope with the lingering traces of their evil deeds, the shocks of a mysterious counterspell, and the advancing inroads of old age, form the burden on Updike’s delightful, ominous sequel.

This novel is the saga in five parts of Isaac Jacob Blumenfeld, who grows up in Kolodetz, a small town near Lvov, which, when he’s a boy, belongs to the Hapsburg Empire, but which subsequently belongs to Poland, Soviet Russia, Germany, and then Russia again. Isaac survives the absurdity and horror of Eastern Europe during the 20th century by pretending to be a fool. If this is an old Jewish art, then Isaac is a consummate artist. He plays the fool all his life, from his boyhood in Kolodetz shetl to the time when he is an accused war criminal in a Gulag in Siberia. Inseparable from Isaac’s life and story are the Yiddish jokes and fables of Kolodetz. These and the counsel of his dear friend, the rabbi and chair of the atheist club in Kolodetz, Shmuel Ben David, sustain Isaac through two world wars, three concentration camps, and five motherlands. The book puts on record, with full art, what is perhaps the central story of the last one hundred years. It is a wise book.