Twilight and Moonbeam Alley

Translated by Anthea Bell
$11.99 US
Steerforth Press | Pushkin Press
On sale Jan 29, 2013 | 9781908968845
Sales rights: US,CAN,OpnMkt(no EU)

Twilight is the story of a fashionable lady who is banished from Versailles by the king. She tries to make the best of living on her country estate, but although she entertains lovers and friends from Paris, she comes to find it intolerable. Life at court, for all its essential emptiness, was the only thing that gave her existence meaning, and she moves inexorably towards suicide. In Moonbeam Alley, a traveller delayed in a French port explores the sailors' quarter. Enticed by a voice singing an aria, to a bar near the harbour, he learns the story of those who run it and frequent it: a tale of violence, unrequited passion, and a marriage that is no true marriage.

“What did Zweig have that brought him the fanatical devotion of millions of readers, the admiration of Herman Hesse, the invitation to give the eulogy at the funeral of Sigmund Freud? To learn that, we would have to have a biography that illuminated all aspects of his work, that read all of his books, and that challenged, rather than accepted, the apparent modesty of his statements about his life and work.” – Benjamin Moser, Bookforum

"Zweig’s readability made him one of the most popular writers of the early twentieth century all over the world, with translations into thirty languages. His lives of Mary Stuart and Marie Antoinette were international bestsellers." — Julie Kavanagh, The Economist Intelligent Life

"Zweig’s accumulated historical and cultural studies, whether in essay or monograph form, remain a body of achievement almost too impressive to take in... Full-sized books on Marie-Antoinette, Mary Stuart, and Magellan were international best sellers." — Clive James, Cultural Amnesia

"Touching and delightful. Those adjectives are not meant as faint praise. Zweig may be especially appealing now because rather than being a progenitor of big ideas, he was a serious entertainer, and an ardent and careful observer of habits, foibles, passions and mistakes." — A.O. Scott, The New York Times 

"Stefan Zweig cherished the everyday imperfections and frustrated aspirations of the men and women he analysed with such affection and understanding." — Paul Bailey, Times Literary Supplement

About

Twilight is the story of a fashionable lady who is banished from Versailles by the king. She tries to make the best of living on her country estate, but although she entertains lovers and friends from Paris, she comes to find it intolerable. Life at court, for all its essential emptiness, was the only thing that gave her existence meaning, and she moves inexorably towards suicide. In Moonbeam Alley, a traveller delayed in a French port explores the sailors' quarter. Enticed by a voice singing an aria, to a bar near the harbour, he learns the story of those who run it and frequent it: a tale of violence, unrequited passion, and a marriage that is no true marriage.

Praise

“What did Zweig have that brought him the fanatical devotion of millions of readers, the admiration of Herman Hesse, the invitation to give the eulogy at the funeral of Sigmund Freud? To learn that, we would have to have a biography that illuminated all aspects of his work, that read all of his books, and that challenged, rather than accepted, the apparent modesty of his statements about his life and work.” – Benjamin Moser, Bookforum

"Zweig’s readability made him one of the most popular writers of the early twentieth century all over the world, with translations into thirty languages. His lives of Mary Stuart and Marie Antoinette were international bestsellers." — Julie Kavanagh, The Economist Intelligent Life

"Zweig’s accumulated historical and cultural studies, whether in essay or monograph form, remain a body of achievement almost too impressive to take in... Full-sized books on Marie-Antoinette, Mary Stuart, and Magellan were international best sellers." — Clive James, Cultural Amnesia

"Touching and delightful. Those adjectives are not meant as faint praise. Zweig may be especially appealing now because rather than being a progenitor of big ideas, he was a serious entertainer, and an ardent and careful observer of habits, foibles, passions and mistakes." — A.O. Scott, The New York Times 

"Stefan Zweig cherished the everyday imperfections and frustrated aspirations of the men and women he analysed with such affection and understanding." — Paul Bailey, Times Literary Supplement