Chango's Beads and Two-Tone Shoes

A Novel

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$16.00 US
Penguin Adult HC/TR | Penguin Books
68 per carton
On sale Oct 30, 2012 | 9780143122043
Sales rights: US, Canada, Open Mkt
A dramatic novel of love, revolution, and redemption from the Pulitzer Prizewinning author of Ironweed

When journalist Daniel Quinn meets Ernest Hemingway at the Floridita bar in Havana, Cuba, he has no idea that his own affinity for simple, declarative sentences will change his life radically overnight. So begins a tale of revolutionary intrigue, heroic journalism, crooked politicians, drug-running gangsters, Albany race riots, and the improbable rise of Fidel Castro.

Quinn's epic journey carries him through the nightclubs and jungles of Cuba and into the newsrooms and racially charged streets of Albany on the day Robert Kennedy is fatally shot in 1968. The odyssey brings Quinn, and his unpredictable Cuban wife, Renata, face-to-face with the darkest facets of human nature and illuminates the power of love in the presence of death.

Kennedy masterfully gathers together an unlikely cast of vivid characters in a breathtaking adventure full of music, mysticism, and murder. This is an unforgettably riotous story set against the landscape of the civil rights movement as it challenges the legendary and vengeful Albany political machine.



William Kennedy’s Albany Cycle of novels reflect what he once described as the fusion of his imagination with a single place. A native and longtime resident of Albany, New York, his work moves from the mid-nineteenth to the mid-twentieth century, chronicling family life, the city’s netherworld, and its spheres of power—financial, ethnic, political—often among the Irish-Americans who dominated the city in this period. The novels in his cycle include, Legs, Billy Phelan’s Greatest Game, Ironweed, Quinn’s Book, Very Old Bones, The Flaming Corsage, and Roscoe.
Praise for Chango's Beads and Two-Tone Shoes

“His most musical work of fiction: a polyrhythmic contemplation of time and its effects on passion set in three different eras...this is not a book a young man would or could write. There is the sense here of somebody who has seen and considered much, without letting his inner fire cool...the ambition and the ability to pull wildly diverse worlds together in a single story is rare. Kennedy, master of the Irish-American lament in works like Billy Phelan's Greatest Game and Ironweed, proves here he can play with both hands and improvise on a theme without losing the beat.”—The New York Times Book Review (front page)

“Written with such brio and encompassing humanity that it may well deserve to be called the best of the bunch...In Mr. Kennedy's Albany, as in William Faulkner's Yoknapatawpha County, the past is never past. Changó's Beads and Two-Tone Shoes is invigorated by this same blending of new and old, of progress and recurrence...there's more shot and incidence in Changó than in any novel of Mr. Kennedy's since Legs...the style here has the sleekness and strength of good crime noir.”—The Wall Street Journal

“Vivid and charming...Kennedy, now in his 80s, is in the embrace of nostalgia as he looks back on the adventures of his youth, and this gives the novel much of its not inconsiderable appeal...He is a fluid, engaging prose stylist, and frequently a witty one...Kennedy has maintained a high level of achievement throughout [his Albany Cycle], deftly blending comedy and drama as, over the years, he has painted a portrait of a single city perhaps unique in American fiction.”—The Washington Post

“Kennedy's humor is sly and wonderful...there's an almost deliriously rich cast of lowlifes here: gun runners, politicians on the make, street- corner agitators, prostitutes, winos...Kennedy's] description of Hemingway...is well-nigh perfect.”—The Boston Globe

“A rich, rewarding novel that reads like a three-act play, spanning the years from 1936 to 1968, with several forms of revolution serving as narrative threads...The novel is as intricate as it is brilliant.”—The Miami Herald

About

A dramatic novel of love, revolution, and redemption from the Pulitzer Prizewinning author of Ironweed

When journalist Daniel Quinn meets Ernest Hemingway at the Floridita bar in Havana, Cuba, he has no idea that his own affinity for simple, declarative sentences will change his life radically overnight. So begins a tale of revolutionary intrigue, heroic journalism, crooked politicians, drug-running gangsters, Albany race riots, and the improbable rise of Fidel Castro.

Quinn's epic journey carries him through the nightclubs and jungles of Cuba and into the newsrooms and racially charged streets of Albany on the day Robert Kennedy is fatally shot in 1968. The odyssey brings Quinn, and his unpredictable Cuban wife, Renata, face-to-face with the darkest facets of human nature and illuminates the power of love in the presence of death.

Kennedy masterfully gathers together an unlikely cast of vivid characters in a breathtaking adventure full of music, mysticism, and murder. This is an unforgettably riotous story set against the landscape of the civil rights movement as it challenges the legendary and vengeful Albany political machine.



William Kennedy’s Albany Cycle of novels reflect what he once described as the fusion of his imagination with a single place. A native and longtime resident of Albany, New York, his work moves from the mid-nineteenth to the mid-twentieth century, chronicling family life, the city’s netherworld, and its spheres of power—financial, ethnic, political—often among the Irish-Americans who dominated the city in this period. The novels in his cycle include, Legs, Billy Phelan’s Greatest Game, Ironweed, Quinn’s Book, Very Old Bones, The Flaming Corsage, and Roscoe.

Praise

Praise for Chango's Beads and Two-Tone Shoes

“His most musical work of fiction: a polyrhythmic contemplation of time and its effects on passion set in three different eras...this is not a book a young man would or could write. There is the sense here of somebody who has seen and considered much, without letting his inner fire cool...the ambition and the ability to pull wildly diverse worlds together in a single story is rare. Kennedy, master of the Irish-American lament in works like Billy Phelan's Greatest Game and Ironweed, proves here he can play with both hands and improvise on a theme without losing the beat.”—The New York Times Book Review (front page)

“Written with such brio and encompassing humanity that it may well deserve to be called the best of the bunch...In Mr. Kennedy's Albany, as in William Faulkner's Yoknapatawpha County, the past is never past. Changó's Beads and Two-Tone Shoes is invigorated by this same blending of new and old, of progress and recurrence...there's more shot and incidence in Changó than in any novel of Mr. Kennedy's since Legs...the style here has the sleekness and strength of good crime noir.”—The Wall Street Journal

“Vivid and charming...Kennedy, now in his 80s, is in the embrace of nostalgia as he looks back on the adventures of his youth, and this gives the novel much of its not inconsiderable appeal...He is a fluid, engaging prose stylist, and frequently a witty one...Kennedy has maintained a high level of achievement throughout [his Albany Cycle], deftly blending comedy and drama as, over the years, he has painted a portrait of a single city perhaps unique in American fiction.”—The Washington Post

“Kennedy's humor is sly and wonderful...there's an almost deliriously rich cast of lowlifes here: gun runners, politicians on the make, street- corner agitators, prostitutes, winos...Kennedy's] description of Hemingway...is well-nigh perfect.”—The Boston Globe

“A rich, rewarding novel that reads like a three-act play, spanning the years from 1936 to 1968, with several forms of revolution serving as narrative threads...The novel is as intricate as it is brilliant.”—The Miami Herald