New from a poet whose "intensity makes the world visible" (Linda Gregg)
"Everywhere, a forceful, scrupulous intelligence is active- a luminous diction, a range of cadences." So has Mark Strand written of the work of Joanna Klink, who has won acclaim for elegant, sensual, and musical poems that "remain alert to the reparations of beauty and song" (Dean Young). The linked poems in Klink's third collection, Raptus, search through a failed relationship, struggling with the stakes of compassion, the violence of the outside world, and the wish to anchor both in something true.
Praise for Raptus
“In every generation of American poets, there seems to be one collection which, however gently, however tactfully, changes the tone and sets a new direction. John Ashbery’s Rivers and Mountains was one such, and Jorie Graham’s Erosion was another. I am deeply convinced that Raptus very soon will prove to be among that company. Joanna Klink has moved human relationship into a vatic, visionary place, and we are changed.”—Donald Revell
“[Klink] has a rhythmic dedication, a sense that every last emotional corner will be examined in its own time and a keen focus aimed as much at herself as at others. As it cycles through need and loss, this book illuminates just how inextricable experiences can be from the people with whom they are shared.”—Publisher’s Weekly
“Klink’s most recent collection, Raptus, places the emotional aftermath of a significant breakup against a background of natural, mainly Western, landscapes. But she has been writing about detachment for years, and her work is a record not only of the ecstasy of engagement with the natural world, but also of the mixed and passionately felt consequences of detachment from a noisier, more chaotic world.”—Boston Review
New from a poet whose "intensity makes the world visible" (Linda Gregg)
"Everywhere, a forceful, scrupulous intelligence is active- a luminous diction, a range of cadences." So has Mark Strand written of the work of Joanna Klink, who has won acclaim for elegant, sensual, and musical poems that "remain alert to the reparations of beauty and song" (Dean Young). The linked poems in Klink's third collection, Raptus, search through a failed relationship, struggling with the stakes of compassion, the violence of the outside world, and the wish to anchor both in something true.
Praise
Praise for Raptus
“In every generation of American poets, there seems to be one collection which, however gently, however tactfully, changes the tone and sets a new direction. John Ashbery’s Rivers and Mountains was one such, and Jorie Graham’s Erosion was another. I am deeply convinced that Raptus very soon will prove to be among that company. Joanna Klink has moved human relationship into a vatic, visionary place, and we are changed.”—Donald Revell
“[Klink] has a rhythmic dedication, a sense that every last emotional corner will be examined in its own time and a keen focus aimed as much at herself as at others. As it cycles through need and loss, this book illuminates just how inextricable experiences can be from the people with whom they are shared.”—Publisher’s Weekly
“Klink’s most recent collection, Raptus, places the emotional aftermath of a significant breakup against a background of natural, mainly Western, landscapes. But she has been writing about detachment for years, and her work is a record not only of the ecstasy of engagement with the natural world, but also of the mixed and passionately felt consequences of detachment from a noisier, more chaotic world.”—Boston Review
