The End of Her

A Novel

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$17.00 US
Penguin Adult HC/TR | Penguin Books
24 per carton
On sale Jun 01, 2021 | 978-1-9848-8053-6
Sales rights: US, Opn Mkt (no CAN)
AN INSTANT NEW YORK TIMES BESTSELLER!

Another thrilling domestic suspense novel from the New York Times bestselling author of The Couple Next Door and Not a Happy Family

The End of Her will keep you guessing right up to the end . . . once you pick it up, you will not want to put it down.” —USA Today

"[Shari Lapena is] the queen of the one-sit read" Linwood Barclay

A long-ago accidentand a visitor from out of the blue. . .

Stephanie and Patrick are adjusting to life with their colicky twin girls. The babies are a handful, but even as Stephanie struggles with the disorientation of sleep deprivation, there's one thing she's sure of: she has all she ever wanted.

Then Erica, a woman from Patrick's past, appears and makes a disturbing accusation. Patrick had always said his first wife's death was an accident, but now Erica claims it was murder.

Patrick insists he's innocent, that this is nothing but a blackmail attempt. Still, Erica knows things about Patrick--things that make Stephanie begin to question her husband. Stephanie isn't sure what, or who, to believe. As Stephanie's trust in Patrick begins to falter, Patrick stands to lose everything. Is Patrick telling the truth--is Erica the persuasive liar Patrick says she is? Or has Stephanie made a terrible mistake?

How will it end?

August 2018

 

Aylesford, New York

 

Hanna Bright puts little Teddy in his baby swing on the front porch and sits down to read her novel. It's going to get hot later, but in the morning it's nice here on the porch, out of the sun. She notices two cars parked at the house across the street and a couple of doors down. The house is for sale; someone must be looking to buy.

 

She soon becomes engrossed in her novel, but looks up a little while later when she senses movement across the street. A heavy-set man in a suit whom Hanna recognizes as the real estate agent is in the driveway talking to a woman. Hanna watches them, idly wondering if she is a serious buyer. The house hasn't been on the market for long, and this is a desirable neighborhood; she imagines it will sell fairly quickly. She hopes it goes to a young family-she wants lots of friends for Teddy, who's six months old. There's a pair of four-month-old twins with a really nice mom-Stephanie-directly across the street whom Hanna's become friends with. This woman looks to be alone-no husband or kids in tow.

 

With a final handshake, the woman turns away from the agent and heads for her parked car. As she reaches the street, she looks over at Hanna on her porch and stops. Then, to Hanna's surprise, she crosses the street and walks toward her house. What does she want? Hanna wonders.

 

"Hi there," the woman calls out in a friendly voice.

 

Hanna can see that she's probably in her early thirties and is certainly attractive. She has shoulder-length blond hair, a good figure, and enviable posture. After a quick glance to check that Teddy is content, Hanna stands up and walks down her porch steps. "Hi, can I help you?" she asks politely.

 

"I was just looking at the house across the street," the other woman says, making her way up the drive. Hanna walks over to meet her, shielding her eyes from the sun with her hand. "Do you mind if I ask you a bit about the neighborhood?" the woman asks.

 

So, she's a serious buyer then, Hanna thinks, a bit disappointed. "Sure," she says.

 

"My husband and I are interested in this area-is it a good place to raise children, do you think?" She nods toward the baby swing on the porch and smiles. "I see you've got a baby."

 

Hanna warms to her then and describes the neighborhood with enthusiasm. Maybe the woman is already pregnant, but not showing yet.

 

At the end of their chat, the woman thanks her and walks back to her car. Hanna realizes she didn't get her name. Oh well. Plenty of time for that if she does buy the house. Something niggles at the back of her mind, but she doesn't know what. Teddy starts to cry then, and as she lifts the baby out of the swing, she realizes what it is. The woman hadn't been wearing a wedding ring. No matter-lots of people have families without getting married these days, although she'd mentioned a husband. But who looks at a house without her spouse?

 

 

Stephanie Kilgour has put the twins down in their cribs upstairs for their morning nap. Now she sits down on the living-room sofa for a moment and leans back and closes her eyes. SheÕs so tired that she doesnÕt know how she actually manages to get up when the babies start crying for her at 6:00 a.m. Nothing-and no one-could have prepared her for this.

 

She relaxes for a moment, letting her exhausted body sink into the cushions, her head heavy against the pillows. She lets herself go slack. If she's not careful, she might fall asleep just sitting here. And that wouldn't be good-the twins only go down for about half an hour in the morning, and the difficulty of rousing herself after such a short time won't be worth it. She'll get her own rest when the twins have their longer nap in the afternoon.

 

Her baby girls, Emma and Jackie, are the best thing that ever happened to her. But she had no idea it would be this hard. Had no sense of the toll it would take on her body, and on her mind too. The effects of protracted sleeplessness are catching up with her. People who knew she was expecting twins-she hadn't made a secret of it-had joked with her about how much more difficult twins would be. She'd merely smiled, delighted with her pregnancy, and was even secretly smug at how good she felt, how easily her body was handling the changes.

 

Stephanie had always been a little bit of a control freak, and she'd spent a lot of time on her birth plan, wanting everything to go just right. She wasn't so complacent that she thought she could do it without drugs, but she wanted to have a normal birth, even with twins.

 

Once they were in the labor suite, though, the plan soon went out the window. She'd ended up with two babies in distress and an emergency C-section. Instead of soothing music, low lighting, and controlled breathing, it was all beeping machines, dropping heart rates, swarming medical staff, and being wheeled hurriedly into the operating room. She remembers her husband, Patrick, holding her hand, his face white with fear. What she remembers most, besides her panic as the babies were whisked away to intensive care before she could even hold them, was the convulsive shivering and nausea after the birth. Fortunately, both babies had been fine-healthy and a good weight.

 

It was hard not to feel like a failure in those early days, struggling with sleeplessness, the pain of the C-section recovery, and the frustration of breastfeeding two babies, seemingly all the time. . . . Those first couple of weeks after the twins were born were the most difficult of Stephanie's life. The babies soon began nursing well, but she often thinks about how stressful the C-section had been-for everyone. We don't always get to choose, she reminds herself. The important thing is that she and the girls were healthy. Now, Stephanie is astonished at how naive she was before the birth. Control is an illusion.

 

And then, the colic . . . the babies didn't sleep well from the outset, and then around the age of six weeks, it got worse. They cried and fussed and wouldn't go down to sleep. Her pediatrician, Dr. Prashad, told her that it would probably ease at about twelve weeks. That was more than a month ago, and it hasn't gotten any better. These days Stephanie-and Patrick-seem to be operating on pure willpower. They haven't had a good night's sleep since the twins were born. The fussing starts in the early evening and lasts until about one or two in the morning. Then they're up again at six. Brutal is the only way to describe it.

 

Now, Stephanie's breathing slows and in mere moments, she's out cold.

 

Suddenly a piercing sound-a loud, insistent beep, beep, beep-wakes Stephanie with a start. She's disoriented, her thoughts muddled. It's the smoke alarm-there's smoke in the house-she can smell it. She lurches to her feet, eyes wide with fear. It's coming from the kitchen. Momentarily paralyzed, she thinks of the twins upstairs, then she runs to the kitchen. There's a frying pan on the stove, and it has erupted into flames. For a moment she stands in the doorway, stupefied, because she can't remember putting anything on the stove. Quickly, she enters the kitchen and reaches frantically for the fire extinguisher in an upper cupboard near the stove. In her panic, she can't remember how to work it. She turns to face the fire and the flames are higher now, licking toward the ceiling, but the ceiling hasn't yet caught fire. She can hear the whooshing sound of the flames, and the heat is almost unbearable. Her heart is pounding frantically as she has a moment of indecision. Should she stay here, wasting precious seconds trying to work the extinguisher, or run upstairs to get the babies? Would she even have enough time to get them out? Should she call 911 first? Then all at once she knows what to do-she wrenches open a bottom cupboard and grabs a metal lid, then slides it onto the frying pan. Deprived of oxygen, the fire is smothered and quickly goes out. She grabs an oven mitt and reaches over and turns off the burner.

 

Stephanie sags with relief. The room smells of smoke. Her eyes are stinging and tearing up, and she leans back against the counter, shaking now that the danger is past. The alarm is still shrieking, but it's not the one in the kitchen that's going off, she realizes-it's the alarm upstairs. She turns on the fan over the stove, opens the window above the kitchen sink, and runs upstairs. She has to grab the footstool out of the bedroom to reach the screeching smoke detector in the hall. She finally disables it with shaking hands. In the sudden silence, she can hear the babies wailing, startled awake by the alarm.

 

She hurries into the nursery, whispering shhh, shhhh. . . . She picks each baby up, one at a time, soothing them, kissing their soft cheeks. They won't go back to sleep now; they're too riled up. She carries Jackie and then Emma downstairs and places them both in the playpen in the living room with some of their favorite toys, and returns to the kitchen.

 

The air is clear but it still reeks of smoke. She stares at the frying pan sitting on the burner as if she's still frightened of it. She grabs the oven mitt and lifts the lid. It looks like there was just oil in the pan. Was she going to fry something? She can't remember. How could she have put a pan on the stove and forgotten about it and let herself fall asleep? She thinks with horror about how quickly the fire might have spread.

 

Still shaken, she returns to the living room and sits on the rug with her back against the sofa, cuddling both babies to her chest. She kisses the tops of their soft heads and strokes their cheeks, holding back tears. "I'm so sorry, I'm so sorry . . ." she whispers.

 

She must remember to get Patrick to look at the smoke detector in the kitchen when he gets home tonight.

 

2

 

On Monday, just after lunch, Stephanie stares blankly at the wall in the pediatrician's office, fatigue glazing her eyes. The previous night had been particularly difficult. The twins are still buckled, squirming, into their double stroller; it's the easiest way to contain them. She hopes the doctor won't be too much longer. One thing Stephanie's learned as a first-time mother is that timing is everything. She hopes to keep the girls awake long enough to make it through the appointment, and then they can fall asleep in the car on the short drive home. She'll carry them inside for their afternoon nap, still asleep, one after the other, leaving one alone in the locked car while she carries the other in. . . .

 

The door opens abruptly and Dr. Prashad smiles at her. Stephanie knows that she's a mother, too, that she understands what it's like, although she doesn't have twins.

 

"How are we doing?" the doctor asks sympathetically.

 

She might well ask. This is an unscheduled appointment, but it's not Stephanie's first unannounced visit like this.

 

"Not great," Stephanie admits, giving a wobbly smile. She can feel her eyes immediately welling up. Shit. Why is it that the slightest bit of sympathy can bring her to tears these days? It's sleep deprivation, that's what it is, pure and simple. If she doesn't start getting more sleep soon, she's going to lose it.

 

She glances away from the doctor to her babies.

 

Dr. Prashad looks at her with concern. "Colic is really tough," she says. "I can't imagine what it must be like with two at once."

 

"It's hell," Stephanie admits with a weak smile. "They're both awake crying from about seven p.m. until one or two in the morning. Every. Single. Day. Patrick and I have to put them in the swings and listen to them crying just to bolt down some supper. And then we carry them in circles around the living room for hours." She rubs her eyes with her hands. "I've read all the parenting books, we've tried everything, but nothing works." She hesitates. "Are you sure there's nothing wrong with them? I mean . . . could we have missed something?" She doesn't want to accuse the doctor, but . . .

 

The doctor sighs and says, "They're healthy babies. They've been fully checked. I know it doesn't make it any easier that we don't know much about colic, but I promise it will pass."

 

Stephanie steels herself and asks, "But when? How much longer is this going to go on?" She can hear the exhaustion-even despair-in her voice and hates herself for it. She sounds so whiny, like she can't cope. She can't stand women like that. She has always been someone who copes, and copes well.

 

The doctor shakes her head. "There's no way to know, I'm afraid. It usually stops pretty suddenly. They'll outgrow it. Like I told you before, most babies get over it at around three months, but it can last up to around nine months. I've never heard of a two-year-old with colic."

 

Stephanie can't bring herself to tell the doctor what prompted this sudden visit. She'd almost burned the house down while her husband was at work. Patrick had been beside himself when she told him. She can't even remember putting the pan on the stove. What if Dr. Prashad thinks she's an unfit mother?

 

She doesn't know why she bothered coming. Of course the doctor wouldn't be able to help-Dr. Prashad gave her the same spiel the last time she visited. "Am I doing something wrong?" Stephanie asks, rather hopelessly.

 

"No. Not by the sound of it. You've told me what your routines are. You're doing everything right. You're just unlucky, that's all." Dr. Prashad's voice softens. "This will pass." Stephanie nods wearily. "The important thing is that you take care of yourself during this time. Is there anyone who can help out? Can you get a sitter or a family member to watch the babies for a night-or even for a few hours-so you can get some sleep?"

 

"We tried that. But I couldn't sleep through the noise." The sound of her babies wailing in distress creates a visceral reaction in her that she simply can't ignore. She glances at them now. The twins are fidgeting less in their stroller, starting to look drowsy. She has to leave soon so she can get them home and have a nap herself. The two or three hours she gets in the afternoon and the four hours between 2:00 a.m. and 6:00 a.m. are all she can count on. Most nights she sends her protesting, sheepish husband to bed by midnight and tries to handle the girls on her own so that he is able to go to work and function the next day.

Praise for The End of Her:

“Shari Lapena's latest thriller The End of Her will keep you guessing right up to the end . . . And so begins a nonstop page-turning that has become a hallmark of Lapena's work. . . Be sure to carve out enough time, because once you pick it up, you will not want to put it down.”
—USA Today

“The fast pace will keep those fond of mischief and murder in suburbia turning the pages.”
—Publishers Weekly

“A novel of domestic suspense with shifting POVs, The End of Her will have you questioning who to believe right up until the end.”
—BuzzFeed

"The queen of the one-sit read."
Linwood Barclay, New York Times bestselling author of Elevator Pitch

"I read the cracking The End of Her in one sitting. All hail the Mistress of the Page Turner."
Fiona Barton, New York Times bestselling author of The Suspect

"I absolutely adore Shari Lapena's compulsive thrillers and her new novel is her best yet. More twists than a roller coaster."
John Boyne, New York Times bestselling author of My Brother's Name is Jessica

"I tore through it. It kept me on my toes throughout and the ending was just fantastic. Really tense!"
Harriet Tyce, bestselling author of Blood Orange

"The End of Her
is a slippery eel of a novel – just when you think you have it in your grasp, it slithers away on a new current. I consumed it in a day. . . . Unputdownable."
Louise Candlish, bestselling author of Our House

"Shari Lapena is one of the best thriller writers in the business."
Steve Cavanagh, bestselling author of Thirteen

"Gripping, compelling, thoroughly entertaining and devilishly clever." 
Liz Nugent, bestselling author of Lying in Wait
 
"Another unputdownable suburban thriller with the finest love-to-hate characters and a wickedly paced mystery."
Elizabeth Kay, author of Seven Lies

Praise for Someone We Know:

“Poised and chilling.” 
—The Wall Street Journal

“Clever.” 
—USA Today

“No-one does suburban paranoia like Shari Lapena—this slowly unfurling nightmare will have you biting your nails until the end.”
—Ruth Ware, #1 New York Times bestselling author of The Turn of the Key

“Slyly plotted . . . Lapena skillfully maximizes suspense with her dual story lines that eventually collide, as well as some deft misdirection . . . Many fans of domestic suspense will be satisfied.”
—Publishers Weekly

“Highly suspenseful . . . Sure to delight fans of Liane Moriarty and Louise Candlish.”
—Booklist

“This book is non-stop twists and turns. Shari Lapena will leave your head spinning as you try and make sense of the lies surrounding the families in this neighborhood. And just when you think you’ve figured it out, you’re probably wrong. Absolutely recommend!”
—Suspense Magazine

“Someone We Know is a tour de force of thriller writing. Shari Lapena proves yet again that she is the mistress of the pacy plot, cliff edge tension and menacing suburban claustrophobia. Fans will be delighted and if you haven’t read her books yet, then why on earth not?” 
—Gilly Macmillan, New York Times bestselling author of The Nanny

Praise for An Unwanted Guest:

“A gripping mystery perfect for fans of Agatha Christie.” 
—Good Housekeeping

“Proving that time periods may change but people do not, Lapena delivers a solid whodunit with an ending that would make Dame Christie proud.” 
—USA Today

“Another nail-biter perfect for an all-nighter.” 
—Entertainment Weekly

“A new thriller that will give you serious Agatha Christie vibes . . . if you’re one of the many people who counts [And Then There Were None] among their favorite books, you will love An Unwanted Guest. . . . A deftly crafted and expertly paced thriller that will keep readers guessing (and terrified) until the very end.” 
—Bustle

“This compelling and realistic modern take on the country-house mystery will gain new fans for the author and is definitely one to hand to devotees of Agatha Christie (and her modern interpreter, Sophie Hannah).”
—Booklist

“An intriguing cast, an isolated location, a raging storm and the threat of death in every dark corner: An Unwanted Guest reads like Agatha Christie with a shot of adrenalin. Clear your desk before you start it because you won’t want to put it down.” 
—Gilly Macmillan, New York Times bestselling author of I Know You Know

“Lapena has written a great whodunit, with a delicious Christie-like vibe. Fans of the author's first novel will want this, and anyone who savors a well-crafted murder mystery will gobble it up!” 
—Library Journal (starred review)

Praise for A Stranger in the House:

“Lapena’s A Stranger in the House will have you sleeping with the lights on for weeks.” 
—Bustle

“Smart and suspenseful . . . You'll never see the ending coming.” 
—PureWow

 “So much suspense. So many twists. Good luck sleeping tonight.” 
—HelloGiggles

“So many dizzying twists you'd better not drive after reading!” 
—Linwood Barclay, New York Times bestselling author of Parting Shot
 
“Smart, twisty and compulsive. Suspense and suspicion accumulate relentlessly, toying with your expectations and your emotions right up until the packs-a-punch ending. Don’t miss it, and don’t expect to be able to put it down.” 
—Gilly Macmillan, New York Times bestselling author of I Know You Know

“A diverting page-turner.” 
—Publishers Weekly

“Great suspense and lots of twists.”  
—The Toronto Star

“Lapena keeps the well-developed twists churning, with each a surprise notch in this ever-evolving plot, and she continues this skillful storytelling until the stunning twist at the end . . . Memorable.”  
—Associated Press

Praise for The Couple Next Door:

“Meticulously crafted and razor-sharp. The Couple Next Door lingers long after you turn the final page.” 
—Harlan Coben, #1 New York Times bestselling author of Fool Me Once

“The twists come as fast [as] you can turn the pages.” 
—People

“Provocative and shocking. One crime, an entire neighborhood of suspects, secrets, and lies. How well do we ever know those around us? The Couple Next Door will keep you glued to the pages in search of the answer. Even then, you’ll never guess the truth . . . until it's too late.” 
—Lisa Gardner, #1 New York Times bestselling author of Find Her

“I read this novel at one sitting, absolutely riveted by the story line. The suspense was beautifully rendered and unrelenting!” 
—Sue Grafton, New York Times bestselling author of Y is for Yesterday

“Real men read women writers—because of books like this. Trust me.” 
—Lee Child, #1 New York Times bestselling author of Make Me

“A twisty, utterly riveting tale that will send readers on a wild roller-coaster ride of emotions. Shocking revelations kept me turning the pages like a madwoman.” 
—Tess Gerritsen, New York Times bestselling author of Playing with Fire

“Expertly paced and finely crafted, The Couple Next Door is a gripping thriller of the highest order. I couldn’t put it down.” 
—A. J. Banner, bestselling author of The Good Neighbor

“Gripped me from the very beginning to the very end!” 
—Becky Masterman, author of Rage Against the Dying

“Brilliant! This utterly riveting psychological thriller hurtles along at breakneck speed, never giving you the opportunity to catch your breath. Twisty, turny, and unputdownable.” 
—C. L. Taylor, bestselling author of The Lie

“Exquisitely torturous tension.” 
—NPR.org

“Where did that baby go! It’s hard not to read to the end to find out, and the twists waiting there are gratifyingly clever.”
—USA Today

“The many never-saw-them-coming twists and questionable characters . . . will keep you on the edge of your seat. First-time novelist Lapena’s writing is spare and tense, and it makes The Couple Next Door a compulsive read. The last line is absolutely a killer.” 
—Good Housekeeping

“[A] well-sculpted domestic thriller . . . highly suspenseful . . . Twists are subtly revealed with aplomb, taking the story to increasingly unpredictable levels.” 
—Associated Press

About

AN INSTANT NEW YORK TIMES BESTSELLER!

Another thrilling domestic suspense novel from the New York Times bestselling author of The Couple Next Door and Not a Happy Family

The End of Her will keep you guessing right up to the end . . . once you pick it up, you will not want to put it down.” —USA Today

"[Shari Lapena is] the queen of the one-sit read" Linwood Barclay

A long-ago accidentand a visitor from out of the blue. . .

Stephanie and Patrick are adjusting to life with their colicky twin girls. The babies are a handful, but even as Stephanie struggles with the disorientation of sleep deprivation, there's one thing she's sure of: she has all she ever wanted.

Then Erica, a woman from Patrick's past, appears and makes a disturbing accusation. Patrick had always said his first wife's death was an accident, but now Erica claims it was murder.

Patrick insists he's innocent, that this is nothing but a blackmail attempt. Still, Erica knows things about Patrick--things that make Stephanie begin to question her husband. Stephanie isn't sure what, or who, to believe. As Stephanie's trust in Patrick begins to falter, Patrick stands to lose everything. Is Patrick telling the truth--is Erica the persuasive liar Patrick says she is? Or has Stephanie made a terrible mistake?

How will it end?

Excerpt

August 2018

 

Aylesford, New York

 

Hanna Bright puts little Teddy in his baby swing on the front porch and sits down to read her novel. It's going to get hot later, but in the morning it's nice here on the porch, out of the sun. She notices two cars parked at the house across the street and a couple of doors down. The house is for sale; someone must be looking to buy.

 

She soon becomes engrossed in her novel, but looks up a little while later when she senses movement across the street. A heavy-set man in a suit whom Hanna recognizes as the real estate agent is in the driveway talking to a woman. Hanna watches them, idly wondering if she is a serious buyer. The house hasn't been on the market for long, and this is a desirable neighborhood; she imagines it will sell fairly quickly. She hopes it goes to a young family-she wants lots of friends for Teddy, who's six months old. There's a pair of four-month-old twins with a really nice mom-Stephanie-directly across the street whom Hanna's become friends with. This woman looks to be alone-no husband or kids in tow.

 

With a final handshake, the woman turns away from the agent and heads for her parked car. As she reaches the street, she looks over at Hanna on her porch and stops. Then, to Hanna's surprise, she crosses the street and walks toward her house. What does she want? Hanna wonders.

 

"Hi there," the woman calls out in a friendly voice.

 

Hanna can see that she's probably in her early thirties and is certainly attractive. She has shoulder-length blond hair, a good figure, and enviable posture. After a quick glance to check that Teddy is content, Hanna stands up and walks down her porch steps. "Hi, can I help you?" she asks politely.

 

"I was just looking at the house across the street," the other woman says, making her way up the drive. Hanna walks over to meet her, shielding her eyes from the sun with her hand. "Do you mind if I ask you a bit about the neighborhood?" the woman asks.

 

So, she's a serious buyer then, Hanna thinks, a bit disappointed. "Sure," she says.

 

"My husband and I are interested in this area-is it a good place to raise children, do you think?" She nods toward the baby swing on the porch and smiles. "I see you've got a baby."

 

Hanna warms to her then and describes the neighborhood with enthusiasm. Maybe the woman is already pregnant, but not showing yet.

 

At the end of their chat, the woman thanks her and walks back to her car. Hanna realizes she didn't get her name. Oh well. Plenty of time for that if she does buy the house. Something niggles at the back of her mind, but she doesn't know what. Teddy starts to cry then, and as she lifts the baby out of the swing, she realizes what it is. The woman hadn't been wearing a wedding ring. No matter-lots of people have families without getting married these days, although she'd mentioned a husband. But who looks at a house without her spouse?

 

 

Stephanie Kilgour has put the twins down in their cribs upstairs for their morning nap. Now she sits down on the living-room sofa for a moment and leans back and closes her eyes. SheÕs so tired that she doesnÕt know how she actually manages to get up when the babies start crying for her at 6:00 a.m. Nothing-and no one-could have prepared her for this.

 

She relaxes for a moment, letting her exhausted body sink into the cushions, her head heavy against the pillows. She lets herself go slack. If she's not careful, she might fall asleep just sitting here. And that wouldn't be good-the twins only go down for about half an hour in the morning, and the difficulty of rousing herself after such a short time won't be worth it. She'll get her own rest when the twins have their longer nap in the afternoon.

 

Her baby girls, Emma and Jackie, are the best thing that ever happened to her. But she had no idea it would be this hard. Had no sense of the toll it would take on her body, and on her mind too. The effects of protracted sleeplessness are catching up with her. People who knew she was expecting twins-she hadn't made a secret of it-had joked with her about how much more difficult twins would be. She'd merely smiled, delighted with her pregnancy, and was even secretly smug at how good she felt, how easily her body was handling the changes.

 

Stephanie had always been a little bit of a control freak, and she'd spent a lot of time on her birth plan, wanting everything to go just right. She wasn't so complacent that she thought she could do it without drugs, but she wanted to have a normal birth, even with twins.

 

Once they were in the labor suite, though, the plan soon went out the window. She'd ended up with two babies in distress and an emergency C-section. Instead of soothing music, low lighting, and controlled breathing, it was all beeping machines, dropping heart rates, swarming medical staff, and being wheeled hurriedly into the operating room. She remembers her husband, Patrick, holding her hand, his face white with fear. What she remembers most, besides her panic as the babies were whisked away to intensive care before she could even hold them, was the convulsive shivering and nausea after the birth. Fortunately, both babies had been fine-healthy and a good weight.

 

It was hard not to feel like a failure in those early days, struggling with sleeplessness, the pain of the C-section recovery, and the frustration of breastfeeding two babies, seemingly all the time. . . . Those first couple of weeks after the twins were born were the most difficult of Stephanie's life. The babies soon began nursing well, but she often thinks about how stressful the C-section had been-for everyone. We don't always get to choose, she reminds herself. The important thing is that she and the girls were healthy. Now, Stephanie is astonished at how naive she was before the birth. Control is an illusion.

 

And then, the colic . . . the babies didn't sleep well from the outset, and then around the age of six weeks, it got worse. They cried and fussed and wouldn't go down to sleep. Her pediatrician, Dr. Prashad, told her that it would probably ease at about twelve weeks. That was more than a month ago, and it hasn't gotten any better. These days Stephanie-and Patrick-seem to be operating on pure willpower. They haven't had a good night's sleep since the twins were born. The fussing starts in the early evening and lasts until about one or two in the morning. Then they're up again at six. Brutal is the only way to describe it.

 

Now, Stephanie's breathing slows and in mere moments, she's out cold.

 

Suddenly a piercing sound-a loud, insistent beep, beep, beep-wakes Stephanie with a start. She's disoriented, her thoughts muddled. It's the smoke alarm-there's smoke in the house-she can smell it. She lurches to her feet, eyes wide with fear. It's coming from the kitchen. Momentarily paralyzed, she thinks of the twins upstairs, then she runs to the kitchen. There's a frying pan on the stove, and it has erupted into flames. For a moment she stands in the doorway, stupefied, because she can't remember putting anything on the stove. Quickly, she enters the kitchen and reaches frantically for the fire extinguisher in an upper cupboard near the stove. In her panic, she can't remember how to work it. She turns to face the fire and the flames are higher now, licking toward the ceiling, but the ceiling hasn't yet caught fire. She can hear the whooshing sound of the flames, and the heat is almost unbearable. Her heart is pounding frantically as she has a moment of indecision. Should she stay here, wasting precious seconds trying to work the extinguisher, or run upstairs to get the babies? Would she even have enough time to get them out? Should she call 911 first? Then all at once she knows what to do-she wrenches open a bottom cupboard and grabs a metal lid, then slides it onto the frying pan. Deprived of oxygen, the fire is smothered and quickly goes out. She grabs an oven mitt and reaches over and turns off the burner.

 

Stephanie sags with relief. The room smells of smoke. Her eyes are stinging and tearing up, and she leans back against the counter, shaking now that the danger is past. The alarm is still shrieking, but it's not the one in the kitchen that's going off, she realizes-it's the alarm upstairs. She turns on the fan over the stove, opens the window above the kitchen sink, and runs upstairs. She has to grab the footstool out of the bedroom to reach the screeching smoke detector in the hall. She finally disables it with shaking hands. In the sudden silence, she can hear the babies wailing, startled awake by the alarm.

 

She hurries into the nursery, whispering shhh, shhhh. . . . She picks each baby up, one at a time, soothing them, kissing their soft cheeks. They won't go back to sleep now; they're too riled up. She carries Jackie and then Emma downstairs and places them both in the playpen in the living room with some of their favorite toys, and returns to the kitchen.

 

The air is clear but it still reeks of smoke. She stares at the frying pan sitting on the burner as if she's still frightened of it. She grabs the oven mitt and lifts the lid. It looks like there was just oil in the pan. Was she going to fry something? She can't remember. How could she have put a pan on the stove and forgotten about it and let herself fall asleep? She thinks with horror about how quickly the fire might have spread.

 

Still shaken, she returns to the living room and sits on the rug with her back against the sofa, cuddling both babies to her chest. She kisses the tops of their soft heads and strokes their cheeks, holding back tears. "I'm so sorry, I'm so sorry . . ." she whispers.

 

She must remember to get Patrick to look at the smoke detector in the kitchen when he gets home tonight.

 

2

 

On Monday, just after lunch, Stephanie stares blankly at the wall in the pediatrician's office, fatigue glazing her eyes. The previous night had been particularly difficult. The twins are still buckled, squirming, into their double stroller; it's the easiest way to contain them. She hopes the doctor won't be too much longer. One thing Stephanie's learned as a first-time mother is that timing is everything. She hopes to keep the girls awake long enough to make it through the appointment, and then they can fall asleep in the car on the short drive home. She'll carry them inside for their afternoon nap, still asleep, one after the other, leaving one alone in the locked car while she carries the other in. . . .

 

The door opens abruptly and Dr. Prashad smiles at her. Stephanie knows that she's a mother, too, that she understands what it's like, although she doesn't have twins.

 

"How are we doing?" the doctor asks sympathetically.

 

She might well ask. This is an unscheduled appointment, but it's not Stephanie's first unannounced visit like this.

 

"Not great," Stephanie admits, giving a wobbly smile. She can feel her eyes immediately welling up. Shit. Why is it that the slightest bit of sympathy can bring her to tears these days? It's sleep deprivation, that's what it is, pure and simple. If she doesn't start getting more sleep soon, she's going to lose it.

 

She glances away from the doctor to her babies.

 

Dr. Prashad looks at her with concern. "Colic is really tough," she says. "I can't imagine what it must be like with two at once."

 

"It's hell," Stephanie admits with a weak smile. "They're both awake crying from about seven p.m. until one or two in the morning. Every. Single. Day. Patrick and I have to put them in the swings and listen to them crying just to bolt down some supper. And then we carry them in circles around the living room for hours." She rubs her eyes with her hands. "I've read all the parenting books, we've tried everything, but nothing works." She hesitates. "Are you sure there's nothing wrong with them? I mean . . . could we have missed something?" She doesn't want to accuse the doctor, but . . .

 

The doctor sighs and says, "They're healthy babies. They've been fully checked. I know it doesn't make it any easier that we don't know much about colic, but I promise it will pass."

 

Stephanie steels herself and asks, "But when? How much longer is this going to go on?" She can hear the exhaustion-even despair-in her voice and hates herself for it. She sounds so whiny, like she can't cope. She can't stand women like that. She has always been someone who copes, and copes well.

 

The doctor shakes her head. "There's no way to know, I'm afraid. It usually stops pretty suddenly. They'll outgrow it. Like I told you before, most babies get over it at around three months, but it can last up to around nine months. I've never heard of a two-year-old with colic."

 

Stephanie can't bring herself to tell the doctor what prompted this sudden visit. She'd almost burned the house down while her husband was at work. Patrick had been beside himself when she told him. She can't even remember putting the pan on the stove. What if Dr. Prashad thinks she's an unfit mother?

 

She doesn't know why she bothered coming. Of course the doctor wouldn't be able to help-Dr. Prashad gave her the same spiel the last time she visited. "Am I doing something wrong?" Stephanie asks, rather hopelessly.

 

"No. Not by the sound of it. You've told me what your routines are. You're doing everything right. You're just unlucky, that's all." Dr. Prashad's voice softens. "This will pass." Stephanie nods wearily. "The important thing is that you take care of yourself during this time. Is there anyone who can help out? Can you get a sitter or a family member to watch the babies for a night-or even for a few hours-so you can get some sleep?"

 

"We tried that. But I couldn't sleep through the noise." The sound of her babies wailing in distress creates a visceral reaction in her that she simply can't ignore. She glances at them now. The twins are fidgeting less in their stroller, starting to look drowsy. She has to leave soon so she can get them home and have a nap herself. The two or three hours she gets in the afternoon and the four hours between 2:00 a.m. and 6:00 a.m. are all she can count on. Most nights she sends her protesting, sheepish husband to bed by midnight and tries to handle the girls on her own so that he is able to go to work and function the next day.

Praise

Praise for The End of Her:

“Shari Lapena's latest thriller The End of Her will keep you guessing right up to the end . . . And so begins a nonstop page-turning that has become a hallmark of Lapena's work. . . Be sure to carve out enough time, because once you pick it up, you will not want to put it down.”
—USA Today

“The fast pace will keep those fond of mischief and murder in suburbia turning the pages.”
—Publishers Weekly

“A novel of domestic suspense with shifting POVs, The End of Her will have you questioning who to believe right up until the end.”
—BuzzFeed

"The queen of the one-sit read."
Linwood Barclay, New York Times bestselling author of Elevator Pitch

"I read the cracking The End of Her in one sitting. All hail the Mistress of the Page Turner."
Fiona Barton, New York Times bestselling author of The Suspect

"I absolutely adore Shari Lapena's compulsive thrillers and her new novel is her best yet. More twists than a roller coaster."
John Boyne, New York Times bestselling author of My Brother's Name is Jessica

"I tore through it. It kept me on my toes throughout and the ending was just fantastic. Really tense!"
Harriet Tyce, bestselling author of Blood Orange

"The End of Her
is a slippery eel of a novel – just when you think you have it in your grasp, it slithers away on a new current. I consumed it in a day. . . . Unputdownable."
Louise Candlish, bestselling author of Our House

"Shari Lapena is one of the best thriller writers in the business."
Steve Cavanagh, bestselling author of Thirteen

"Gripping, compelling, thoroughly entertaining and devilishly clever." 
Liz Nugent, bestselling author of Lying in Wait
 
"Another unputdownable suburban thriller with the finest love-to-hate characters and a wickedly paced mystery."
Elizabeth Kay, author of Seven Lies

Praise for Someone We Know:

“Poised and chilling.” 
—The Wall Street Journal

“Clever.” 
—USA Today

“No-one does suburban paranoia like Shari Lapena—this slowly unfurling nightmare will have you biting your nails until the end.”
—Ruth Ware, #1 New York Times bestselling author of The Turn of the Key

“Slyly plotted . . . Lapena skillfully maximizes suspense with her dual story lines that eventually collide, as well as some deft misdirection . . . Many fans of domestic suspense will be satisfied.”
—Publishers Weekly

“Highly suspenseful . . . Sure to delight fans of Liane Moriarty and Louise Candlish.”
—Booklist

“This book is non-stop twists and turns. Shari Lapena will leave your head spinning as you try and make sense of the lies surrounding the families in this neighborhood. And just when you think you’ve figured it out, you’re probably wrong. Absolutely recommend!”
—Suspense Magazine

“Someone We Know is a tour de force of thriller writing. Shari Lapena proves yet again that she is the mistress of the pacy plot, cliff edge tension and menacing suburban claustrophobia. Fans will be delighted and if you haven’t read her books yet, then why on earth not?” 
—Gilly Macmillan, New York Times bestselling author of The Nanny

Praise for An Unwanted Guest:

“A gripping mystery perfect for fans of Agatha Christie.” 
—Good Housekeeping

“Proving that time periods may change but people do not, Lapena delivers a solid whodunit with an ending that would make Dame Christie proud.” 
—USA Today

“Another nail-biter perfect for an all-nighter.” 
—Entertainment Weekly

“A new thriller that will give you serious Agatha Christie vibes . . . if you’re one of the many people who counts [And Then There Were None] among their favorite books, you will love An Unwanted Guest. . . . A deftly crafted and expertly paced thriller that will keep readers guessing (and terrified) until the very end.” 
—Bustle

“This compelling and realistic modern take on the country-house mystery will gain new fans for the author and is definitely one to hand to devotees of Agatha Christie (and her modern interpreter, Sophie Hannah).”
—Booklist

“An intriguing cast, an isolated location, a raging storm and the threat of death in every dark corner: An Unwanted Guest reads like Agatha Christie with a shot of adrenalin. Clear your desk before you start it because you won’t want to put it down.” 
—Gilly Macmillan, New York Times bestselling author of I Know You Know

“Lapena has written a great whodunit, with a delicious Christie-like vibe. Fans of the author's first novel will want this, and anyone who savors a well-crafted murder mystery will gobble it up!” 
—Library Journal (starred review)

Praise for A Stranger in the House:

“Lapena’s A Stranger in the House will have you sleeping with the lights on for weeks.” 
—Bustle

“Smart and suspenseful . . . You'll never see the ending coming.” 
—PureWow

 “So much suspense. So many twists. Good luck sleeping tonight.” 
—HelloGiggles

“So many dizzying twists you'd better not drive after reading!” 
—Linwood Barclay, New York Times bestselling author of Parting Shot
 
“Smart, twisty and compulsive. Suspense and suspicion accumulate relentlessly, toying with your expectations and your emotions right up until the packs-a-punch ending. Don’t miss it, and don’t expect to be able to put it down.” 
—Gilly Macmillan, New York Times bestselling author of I Know You Know

“A diverting page-turner.” 
—Publishers Weekly

“Great suspense and lots of twists.”  
—The Toronto Star

“Lapena keeps the well-developed twists churning, with each a surprise notch in this ever-evolving plot, and she continues this skillful storytelling until the stunning twist at the end . . . Memorable.”  
—Associated Press

Praise for The Couple Next Door:

“Meticulously crafted and razor-sharp. The Couple Next Door lingers long after you turn the final page.” 
—Harlan Coben, #1 New York Times bestselling author of Fool Me Once

“The twists come as fast [as] you can turn the pages.” 
—People

“Provocative and shocking. One crime, an entire neighborhood of suspects, secrets, and lies. How well do we ever know those around us? The Couple Next Door will keep you glued to the pages in search of the answer. Even then, you’ll never guess the truth . . . until it's too late.” 
—Lisa Gardner, #1 New York Times bestselling author of Find Her

“I read this novel at one sitting, absolutely riveted by the story line. The suspense was beautifully rendered and unrelenting!” 
—Sue Grafton, New York Times bestselling author of Y is for Yesterday

“Real men read women writers—because of books like this. Trust me.” 
—Lee Child, #1 New York Times bestselling author of Make Me

“A twisty, utterly riveting tale that will send readers on a wild roller-coaster ride of emotions. Shocking revelations kept me turning the pages like a madwoman.” 
—Tess Gerritsen, New York Times bestselling author of Playing with Fire

“Expertly paced and finely crafted, The Couple Next Door is a gripping thriller of the highest order. I couldn’t put it down.” 
—A. J. Banner, bestselling author of The Good Neighbor

“Gripped me from the very beginning to the very end!” 
—Becky Masterman, author of Rage Against the Dying

“Brilliant! This utterly riveting psychological thriller hurtles along at breakneck speed, never giving you the opportunity to catch your breath. Twisty, turny, and unputdownable.” 
—C. L. Taylor, bestselling author of The Lie

“Exquisitely torturous tension.” 
—NPR.org

“Where did that baby go! It’s hard not to read to the end to find out, and the twists waiting there are gratifyingly clever.”
—USA Today

“The many never-saw-them-coming twists and questionable characters . . . will keep you on the edge of your seat. First-time novelist Lapena’s writing is spare and tense, and it makes The Couple Next Door a compulsive read. The last line is absolutely a killer.” 
—Good Housekeeping

“[A] well-sculpted domestic thriller . . . highly suspenseful . . . Twists are subtly revealed with aplomb, taking the story to increasingly unpredictable levels.” 
—Associated Press