The inimitable Jasper Fforde gives readers another delightful mash-up of detective fiction and nursery rhyme, returning to those mean streets where no character is innocent. The Gingerbreadman—sadist, psychopath, cookie—is on the loose in Reading, but that’s not who Detective Jack Spratt and Sergeant Mary Mary are after. Instead, they’ve been demoted to searching for missing journalist “Goldy” Hatchett. The last witnesses to see her alive were the reclusive Three Bears, and right away Spratt senses something furry—uh, funny—about their story, starting with the porridge. The Fourth Bear is a delirious new romp from our most irrepressible fabulist.
Jasper Fforde is able to write diabolically. . . . Outrageous satirical agility is his stock in trade. (The New York Times)
Like the creators of . . . The Simpsons and South Park, Mr. Fforde uses fantasy to dissect real life. . . . He is our best thinking personÆs genre writer. (The Washington Times)
Mr. Fforde manages to bombard the reader with more bizarre detail than most writers would dare to fit in their entire oeuvre, yet he does so with . . . light prose and easy, confident wit. (The Wall Street Journal)
The inimitable Jasper Fforde gives readers another delightful mash-up of detective fiction and nursery rhyme, returning to those mean streets where no character is innocent. The Gingerbreadman—sadist, psychopath, cookie—is on the loose in Reading, but that’s not who Detective Jack Spratt and Sergeant Mary Mary are after. Instead, they’ve been demoted to searching for missing journalist “Goldy” Hatchett. The last witnesses to see her alive were the reclusive Three Bears, and right away Spratt senses something furry—uh, funny—about their story, starting with the porridge. The Fourth Bear is a delirious new romp from our most irrepressible fabulist.
Praise
Jasper Fforde is able to write diabolically. . . . Outrageous satirical agility is his stock in trade. (The New York Times)
Like the creators of . . . The Simpsons and South Park, Mr. Fforde uses fantasy to dissect real life. . . . He is our best thinking personÆs genre writer. (The Washington Times)
Mr. Fforde manages to bombard the reader with more bizarre detail than most writers would dare to fit in their entire oeuvre, yet he does so with . . . light prose and easy, confident wit. (The Wall Street Journal)
