River of Shadows

Eadweard Muybridge and the Technological Wild West

A New York Times Notable Book

Winner of the National Book Critics Circle Award for Criticism, The Mark Lynton History Prize, and the Sally Hacker Prize for the History of Technology

“A panoramic vision of cultural change” —The New York Times

Through the story of the pioneering photographer Eadweard Muybridge, the author of Orwell's Roses explores what it was about California in the late 19th-century that enabled it to become such a center of technological and cultural innovation


The world as we know it today began in California in the late 1800s, and Eadweard Muybridge had a lot to do with it. This striking assertion is at the heart of Rebecca Solnit’s new book, which weaves together biography, history, and fascinating insights into art and technology to create a boldly original portrait of America on the threshold of modernity. The story of Muybridge—who in 1872 succeeded in capturing high-speed motion photographically—becomes a lens for a larger story about the acceleration and industrialization of everyday life. Solnit shows how the peculiar freedoms and opportunities of post–Civil War California led directly to the two industries—Hollywood and Silicon Valley—that have most powerfully defined contemporary society.
  • WINNER
    Commonwealth Club of California Book Award
  • WINNER
    Mark Lynton History Prize
  • WINNER
    National Book Critics Circle Awards
  • WINNER
    Spur Awards
River of ShadowsThe Annihilation of Time and Space
The Man with the Cloudy Skies
Lessons of the Golden Spike
Standing on the Brink
Lost River
A Day in the Life, Two Deaths, More Photographs
Skinning the City
Stopping Time
The Artist in Motion and at Rest
From the Center of the World to the Final Frontier

Chronology
Notes
Acknowledgments
Photograph Credits
Index

“One finds it hard to remember what things looked like before this book appeared in the world.” The New York Times Book Review

“The imagery of a poet, the ideas of a theoretician, the rhythm of a thoroughbred and the force of a Southern Pacific locomotive.” San Francisco Chronicle

About

A New York Times Notable Book

Winner of the National Book Critics Circle Award for Criticism, The Mark Lynton History Prize, and the Sally Hacker Prize for the History of Technology

“A panoramic vision of cultural change” —The New York Times

Through the story of the pioneering photographer Eadweard Muybridge, the author of Orwell's Roses explores what it was about California in the late 19th-century that enabled it to become such a center of technological and cultural innovation


The world as we know it today began in California in the late 1800s, and Eadweard Muybridge had a lot to do with it. This striking assertion is at the heart of Rebecca Solnit’s new book, which weaves together biography, history, and fascinating insights into art and technology to create a boldly original portrait of America on the threshold of modernity. The story of Muybridge—who in 1872 succeeded in capturing high-speed motion photographically—becomes a lens for a larger story about the acceleration and industrialization of everyday life. Solnit shows how the peculiar freedoms and opportunities of post–Civil War California led directly to the two industries—Hollywood and Silicon Valley—that have most powerfully defined contemporary society.

Awards

  • WINNER
    Commonwealth Club of California Book Award
  • WINNER
    Mark Lynton History Prize
  • WINNER
    National Book Critics Circle Awards
  • WINNER
    Spur Awards

Table of Contents

River of ShadowsThe Annihilation of Time and Space
The Man with the Cloudy Skies
Lessons of the Golden Spike
Standing on the Brink
Lost River
A Day in the Life, Two Deaths, More Photographs
Skinning the City
Stopping Time
The Artist in Motion and at Rest
From the Center of the World to the Final Frontier

Chronology
Notes
Acknowledgments
Photograph Credits
Index

Praise

“One finds it hard to remember what things looked like before this book appeared in the world.” The New York Times Book Review

“The imagery of a poet, the ideas of a theoretician, the rhythm of a thoroughbred and the force of a Southern Pacific locomotive.” San Francisco Chronicle