All Rivers Run to the Sea

Memoirs

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$18.00 US
Knopf | Schocken
24 per carton
On sale Oct 22, 1996 | 9780805210286
Sales rights: US, Canada, Open Mkt

In this first volume of his two-volume autobiography, Wiesel takes us from his childhood memories of a traditional and loving Jewish family in the Romanian village of Sighet through the horrors of Auschwitz and Buchenwald and the years of spiritual struggle, to his emergence as a witness for the Holocaust's martyrs and survivors and for the State of Israel, and as a spokesman for humanity.  With 16 pages of black-and-white photographs.

"From the abyss of the death camps Wiesel has come as a messenger to mankind—not with a message of hate and revenge, but with one of brotherhood and atonement."
—From the citation for the 1986 Nobel Peace Prize

Childhood, 1

Darkness, 51

God's Suffering: A Commentary, 101

Schooling, 107

Journalist, 159

Traveling, 221

Paris, 245

New York, 279

Writing, 317

Jerusalem, 381


Glossary, 419

Index, 423
Last night I saw my father in a dream. His unshaven face was the same as ever, its expression frozen, but his clothing changed from moment to moment—from his Shabbat suit to the striped rags of the damned and back again. Where had he come from? From what landscape had he escaped? Who sent him? I can’t recall if I asked. All I remember is how sad he looked, and how resigned. I could see by the way his lips were moving that he wanted to tell me something, but no sound came. Then all at once, in my sleep—or was it in his?—I suddenly doubted my own senses. Was this really my father? I was no longer sure.
 
In dreams all certainties are blurred and dimmed. Dawn and dusk, reality and fantasy, merge. And yet it was my father who appeared to me last night. Bearing a message? Or was it a warning? I awoke drenched with sweat, my heart pounding. A terrifying idea crossed my mind: that he had come for me.
 
###
 
I never really knew my father. It hurts to admit that, but it would hurt him even more if I deluded myself. The truth is I knew little of the man I loved most in the world, the man whose merest glance could stir me. What was the secret of his inner life? What was the secret of his inner life? What was he thinking as he stared in silence at some far-off, invisible point in space? Why did he conceal his cares and disappointments from me? Because I was too young, or because he thought me incapable (or worse) of comprehending them?
 
I wonder whether other sons face this same problem. Do they know their fathers as someone other than the authoritarian, omniscient figure who leaves in the morning and returns in the evening, bringing bread and wine to the table?
 
As a child and adolescent I saw him rarely. Carelessly dressed, often preoccupied but always friendly, he spent the week in his little grocery store—where he enjoyed and chatted with customers as much as selling them things—and at the community offices where he quietly worked to assist prisoners and refugees threatened with expulsion.
 
Sighet was a typical shtetl, a sanctuary for Jews, in this case since 1640, when, according to historians, refugees began arriving from Ukraine, fleeing the pogroms and persecutions of the reign of Bogdan Khmelnitski. Still, in 1690 the local populace demanded that the authorities resisted, even then there must have been men like my father to protect our community.
 
Shabbat (the Sabbath) was the only day I spent with him. In Sighet, Shabbat began on Friday afternoon. Shops closed well before sundown, stragglers and latecomers having been admonished by rabbinical emissaries and inspectors: “Let’s go, it’s late, time to close up! Shabbat is coming!” And woe to him who disobeyed. After the ritual bath we would walk to services, dressed for the occasion. Sometimes my father would take my hand, as though to protect me, as we passed the nearby police station or the central prison on the main square. I liked it when he did that, and I like to remember it now. I felt reassured, content. Bound to me, he belonged to me. We formed a bloc. But if a fellow worshipper joined us, my suddenly useless hand was returned to me. Did my father have any idea how much that hurt? I felt abandoned, even rejected, and after that it was never the same.
 
I would have loved to have had a real conversation with my father, heart to heart, to have spoken to him openly of things serious and frivolous. But no—at that age everything seems serious. I would have liked to have told him of my nighttime anguish, and of my fear of the dead who, I was sure, left their tombs at midnight to pray in the great synagogue—and heaven help the passerby who failed to heed their call to come and recite the customary blessings before the reading of the Torah. I would have told my father about my poverty-stricken friends and classmates, whose hunger made me feel guilty. I thought of myself as rich and unworthy, naïvely ascribing great virtue to poverty. Deep down, I was jealous of the poor. To paraphrase the great Yiddish humorist Sholem Aleichem, I would have given anything for a tiny taste of misery. Yes, I would have loved to have discussed all this with my father. Sometimes I even envied Isaac, who was alone with his father when they climbed Mount Moriah. God alone could have known then that there would come a time when he and I would walk together toward a solitude and an altar of another dimension, and that, unlike in the Bible story, only the son would come back, leaving his father behind with the shadows.
 
I admired him, feared him, and loved him intensely. He, in turn, genuinely loved all people—the weak, the needy, even the madmen. He enjoyed listening to them as they laughed, sang, wept, and chattered with birds they alone could see. Beggars were drawn to him, and he never failed to invite them to share our Sabbath meal, “The Talmud seeks to convince us that poverty is the lot of the Jews,” one of them once said to him. “But how is that possible? Poverty is ugly; it begets ugliness.” And my father nodded as if to say, You who are poor know better than the Talmud what poverty is.
 
####
“This is Elie Wiesel at his best, a highly revealing self-portrait of the man behind the world-famed persona.”
—Herman Woulk

“A biblical-like epic of a great man who has turned genocidal tragedy into a life force for world peace. I should be required reading for membership in the human race.”
—Alan M. Dershowitz

“Immensely moving [and[ unforgettable, [with] the searing intensity of his novels and autobiographical tales . . . Will make you cry, yet somehow leaves you renewed, with a cautious hope for humanity's future.”
Publishers Weekly

“Wiesel remains unequaled at bringing home the experience of horrific, nullifying disorientation that was the first step in the program of genocide known as the Final Solution.”
—Daphne Merkin, The New York Times Book Review

“Part of the delight of All Rivers lies in witnessing the gradual transformation of the brokenhearted, orphaned young boy into the spirited journalist who longs to embrace the world at large, and who, in time, does.″
—Rebecca Goldstein, Newsday

“Remarkable . . . Wiesel writes with poetic beauty and heart-stopping eloquence.″
—Susan Miron, Miami Herald

“For all those who have never known Elie Wiesel, these memoirs are an introduction to the man, and for many who have met him, there will be discoveries and realizations.″
—Raul Hilberg, Boston Globe

About

In this first volume of his two-volume autobiography, Wiesel takes us from his childhood memories of a traditional and loving Jewish family in the Romanian village of Sighet through the horrors of Auschwitz and Buchenwald and the years of spiritual struggle, to his emergence as a witness for the Holocaust's martyrs and survivors and for the State of Israel, and as a spokesman for humanity.  With 16 pages of black-and-white photographs.

"From the abyss of the death camps Wiesel has come as a messenger to mankind—not with a message of hate and revenge, but with one of brotherhood and atonement."
—From the citation for the 1986 Nobel Peace Prize

Table of Contents

Childhood, 1

Darkness, 51

God's Suffering: A Commentary, 101

Schooling, 107

Journalist, 159

Traveling, 221

Paris, 245

New York, 279

Writing, 317

Jerusalem, 381


Glossary, 419

Index, 423

Excerpt

Last night I saw my father in a dream. His unshaven face was the same as ever, its expression frozen, but his clothing changed from moment to moment—from his Shabbat suit to the striped rags of the damned and back again. Where had he come from? From what landscape had he escaped? Who sent him? I can’t recall if I asked. All I remember is how sad he looked, and how resigned. I could see by the way his lips were moving that he wanted to tell me something, but no sound came. Then all at once, in my sleep—or was it in his?—I suddenly doubted my own senses. Was this really my father? I was no longer sure.
 
In dreams all certainties are blurred and dimmed. Dawn and dusk, reality and fantasy, merge. And yet it was my father who appeared to me last night. Bearing a message? Or was it a warning? I awoke drenched with sweat, my heart pounding. A terrifying idea crossed my mind: that he had come for me.
 
###
 
I never really knew my father. It hurts to admit that, but it would hurt him even more if I deluded myself. The truth is I knew little of the man I loved most in the world, the man whose merest glance could stir me. What was the secret of his inner life? What was the secret of his inner life? What was he thinking as he stared in silence at some far-off, invisible point in space? Why did he conceal his cares and disappointments from me? Because I was too young, or because he thought me incapable (or worse) of comprehending them?
 
I wonder whether other sons face this same problem. Do they know their fathers as someone other than the authoritarian, omniscient figure who leaves in the morning and returns in the evening, bringing bread and wine to the table?
 
As a child and adolescent I saw him rarely. Carelessly dressed, often preoccupied but always friendly, he spent the week in his little grocery store—where he enjoyed and chatted with customers as much as selling them things—and at the community offices where he quietly worked to assist prisoners and refugees threatened with expulsion.
 
Sighet was a typical shtetl, a sanctuary for Jews, in this case since 1640, when, according to historians, refugees began arriving from Ukraine, fleeing the pogroms and persecutions of the reign of Bogdan Khmelnitski. Still, in 1690 the local populace demanded that the authorities resisted, even then there must have been men like my father to protect our community.
 
Shabbat (the Sabbath) was the only day I spent with him. In Sighet, Shabbat began on Friday afternoon. Shops closed well before sundown, stragglers and latecomers having been admonished by rabbinical emissaries and inspectors: “Let’s go, it’s late, time to close up! Shabbat is coming!” And woe to him who disobeyed. After the ritual bath we would walk to services, dressed for the occasion. Sometimes my father would take my hand, as though to protect me, as we passed the nearby police station or the central prison on the main square. I liked it when he did that, and I like to remember it now. I felt reassured, content. Bound to me, he belonged to me. We formed a bloc. But if a fellow worshipper joined us, my suddenly useless hand was returned to me. Did my father have any idea how much that hurt? I felt abandoned, even rejected, and after that it was never the same.
 
I would have loved to have had a real conversation with my father, heart to heart, to have spoken to him openly of things serious and frivolous. But no—at that age everything seems serious. I would have liked to have told him of my nighttime anguish, and of my fear of the dead who, I was sure, left their tombs at midnight to pray in the great synagogue—and heaven help the passerby who failed to heed their call to come and recite the customary blessings before the reading of the Torah. I would have told my father about my poverty-stricken friends and classmates, whose hunger made me feel guilty. I thought of myself as rich and unworthy, naïvely ascribing great virtue to poverty. Deep down, I was jealous of the poor. To paraphrase the great Yiddish humorist Sholem Aleichem, I would have given anything for a tiny taste of misery. Yes, I would have loved to have discussed all this with my father. Sometimes I even envied Isaac, who was alone with his father when they climbed Mount Moriah. God alone could have known then that there would come a time when he and I would walk together toward a solitude and an altar of another dimension, and that, unlike in the Bible story, only the son would come back, leaving his father behind with the shadows.
 
I admired him, feared him, and loved him intensely. He, in turn, genuinely loved all people—the weak, the needy, even the madmen. He enjoyed listening to them as they laughed, sang, wept, and chattered with birds they alone could see. Beggars were drawn to him, and he never failed to invite them to share our Sabbath meal, “The Talmud seeks to convince us that poverty is the lot of the Jews,” one of them once said to him. “But how is that possible? Poverty is ugly; it begets ugliness.” And my father nodded as if to say, You who are poor know better than the Talmud what poverty is.
 
####

Praise

“This is Elie Wiesel at his best, a highly revealing self-portrait of the man behind the world-famed persona.”
—Herman Woulk

“A biblical-like epic of a great man who has turned genocidal tragedy into a life force for world peace. I should be required reading for membership in the human race.”
—Alan M. Dershowitz

“Immensely moving [and[ unforgettable, [with] the searing intensity of his novels and autobiographical tales . . . Will make you cry, yet somehow leaves you renewed, with a cautious hope for humanity's future.”
Publishers Weekly

“Wiesel remains unequaled at bringing home the experience of horrific, nullifying disorientation that was the first step in the program of genocide known as the Final Solution.”
—Daphne Merkin, The New York Times Book Review

“Part of the delight of All Rivers lies in witnessing the gradual transformation of the brokenhearted, orphaned young boy into the spirited journalist who longs to embrace the world at large, and who, in time, does.″
—Rebecca Goldstein, Newsday

“Remarkable . . . Wiesel writes with poetic beauty and heart-stopping eloquence.″
—Susan Miron, Miami Herald

“For all those who have never known Elie Wiesel, these memoirs are an introduction to the man, and for many who have met him, there will be discoveries and realizations.″
—Raul Hilberg, Boston Globe