Draw the Draw 50 Way

How to Draw Cats, Puppies, Horses, Buildings, Birds, Aliens, Boats, Trains, and Everything Else Under the Sun

Part of Draw 50

$7.99 US
Clarkson Potter/Ten Speed | Watson-Guptill
On sale Sep 11, 2012 | 978-0-7704-3296-6
Sales rights: World
Learn to Draw . . . the Draw 50 Way!
 
For more than forty years, the bestselling Draw 50 series has shown artists of all levels how to create everything from puppies to ships, horses to skyscrapers, and aliens to race cars. This addition to the series shows how to render sixty of Lee J. Ames’s most popular examples, step by step. The clear visual explanations help aspiring and seasoned artists alike learn the basic shapes, forms, and proportions of subjects while exploring themes that interest them most in a fun and easy-to-master way.
"If we taught children to speak, they'd never learn" - William Hull

Thirty or forty years ago, I read this quote. It stuck with me because i believe we often learn best through imitation. In many of my books I have advised that mimicry is prerequisite to creativity. It's wonderfully effective to imitate, copy, or trace what others have done in order to develop one's own tools for drawing before attempting to produce something original.

About

Learn to Draw . . . the Draw 50 Way!
 
For more than forty years, the bestselling Draw 50 series has shown artists of all levels how to create everything from puppies to ships, horses to skyscrapers, and aliens to race cars. This addition to the series shows how to render sixty of Lee J. Ames’s most popular examples, step by step. The clear visual explanations help aspiring and seasoned artists alike learn the basic shapes, forms, and proportions of subjects while exploring themes that interest them most in a fun and easy-to-master way.

Excerpt

"If we taught children to speak, they'd never learn" - William Hull

Thirty or forty years ago, I read this quote. It stuck with me because i believe we often learn best through imitation. In many of my books I have advised that mimicry is prerequisite to creativity. It's wonderfully effective to imitate, copy, or trace what others have done in order to develop one's own tools for drawing before attempting to produce something original.