The Sailor Who Fell from Grace with the Sea

Translated by John Nathan
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$17.00 US
Knopf | Vintage
24 per carton
On sale May 31, 1994 | 9780679750154
Sales rights: World
A novel from "one of the outstanding writers of the world” (The New York Times) that explores the vicious nature of youth that is sometimes mistaken for innocence. • “A major work of art.” —Time

Thirteen-year-old Noboru is a member of a gang of highly philosophical teenage boys who reject the tenets of the adult world — to them, adult life is illusory, hypocritical, and sentimental. When Noboru’s widowed mother is romanced by Ryuji, a sailor, Noboru is thrilled. He idolizes this rugged man of the sea as a hero. But his admiration soon turns to hatred, as Ryuji forsakes life onboard the ship for marriage, rejecting everything Noboru holds sacred. Upset and appalled, he and his friends respond to this apparent betrayal with a terrible ferocity.
“Brilliant in the conciseness of its narrative.”
The Nation

“A major work of art.”
Time
 
“Mishima is like Stendhal in his precise psychological analyses, like Dostoevsky in his explorations of darkly destructive personalities.”
Christian Science Monitor

About

A novel from "one of the outstanding writers of the world” (The New York Times) that explores the vicious nature of youth that is sometimes mistaken for innocence. • “A major work of art.” —Time

Thirteen-year-old Noboru is a member of a gang of highly philosophical teenage boys who reject the tenets of the adult world — to them, adult life is illusory, hypocritical, and sentimental. When Noboru’s widowed mother is romanced by Ryuji, a sailor, Noboru is thrilled. He idolizes this rugged man of the sea as a hero. But his admiration soon turns to hatred, as Ryuji forsakes life onboard the ship for marriage, rejecting everything Noboru holds sacred. Upset and appalled, he and his friends respond to this apparent betrayal with a terrible ferocity.

Praise

“Brilliant in the conciseness of its narrative.”
The Nation

“A major work of art.”
Time
 
“Mishima is like Stendhal in his precise psychological analyses, like Dostoevsky in his explorations of darkly destructive personalities.”
Christian Science Monitor