Trust Me

Short Stories

$7.99 US
Random House Group | Random House
On sale Sep 18, 2012 | 9780679645979
Sales rights: US, Canada, Open Mkt
The theme of trust, betrayed or fulfilled, runs through this collection of short stories: Parents lead children into peril, husbands abandon wives, wives manipulate husbands, and time undermines all. Love pangs, a favorite subject of the author, take on a new urgency as earthquakes, illnesses, lost wallets, and deaths of distant friends besiege his aging heroes and heroines. One man loves his wife’s twin, and several men love the imagined bliss of their pasts; one woman takes an impotent lover, and another must administer her father’s death. Bourgeois comforts and youthful convictions are tenderly seen as certain to erode: “Man,” as one of these stories concludes, “was not meant to abide in paradise.”
Trust Me
 
WHEN HAROLD was three or four, his father and mother took him to a swimming pool. This was strange, for his family rarely went places, except to the movie house two blocks from their house. Harold had no memory of ever seeing his parents in bathing suits again, after this unhappy day. What he did remember was this:
 
His father, nearly naked, was in the pool, treading water. Harold was standing shivering on the wet tile edge, suspended above the abysmal odor of chlorine, hypnotized by the bright, lapping agitation of this great volume of unnaturally blue-green water. His mother, in a black bathing suit that made her flesh appear very white, was off in a corner of his mind. His father was asking him to jump. “C’mon, Hassy, jump,” he was saying, in his mild, encouraging voice. “It’ll be all right. Jump right into my hands.” The words echoed in the flat acoustics of the water and tile and sunlight, heightening Harold’s sense of exposure, his awareness of his own white skin. His father seemed eerily stable and calm in the water, and the child idly wondered, as he jumped, what the man was standing on.
 
Then the blue-green water was all around him, dense and churning, and when he tried to take a breath a fist was shoved into his throat. He saw his own bubbles rising in front of his face, a multitude of them, rising as he sank; he sank it seemed for a very long time, until something located him in the darkening element and seized him by the arm.
 
He was in air again, on his father’s shoulder, still fighting for breath. They were out of the pool. His mother swiftly came up to the two of them and, with a deftness remarkable in one so angry, slapped his father on the face, loudly, next to Harold’s ear. The slap seemed to resonate all over the pool area, and to be heard by all the other bathers; but perhaps this was the acoustics of memory. His sense of public embarrassment amid sparkling nakedness—of every strange face turned toward him as he passed from his father’s wet arms into his mother’s dry ones—survived his recovery of breath. His mother’s anger seemed directed at him as much as at his father. His feet now were on grass. Standing wrapped in a towel near his mother’s knees while the last burning fragments of water were coughed from his lungs, Harold felt eternally disgraced.
 
He never knew what had happened; by the time he asked, so many years had passed that his father had forgotten. “Wasn’t that a crying shame,” the old man said, with his mild mixture of mournfulness and comedy. “Sink or swim, and you sank.” Perhaps Harold had leaped a moment before it was expected, or had proved unexpectedly heavy, and had thus slipped through his father’s grasp. Unaccountably, all through his growing up he continued to trust his father; it was his mother he distrusted, her swift sure-handed anger.
 
He didn’t learn to swim until college, and even then he passed the test by frog-kicking the length of the pool on his back, with the instructor brandishing a thick stick to grasp if he panicked and began to sink. The chemical scent of a pool always frightened him: blue-green dragon breath.
 
His children, raised in an amphibious world of summer camps and country clubs, easily became swimmers. They tried to teach him how to dive. “You must keep your head down, Dad. That’s why you keep getting belly-whoppers.”
 
“I’m scared of not coming up,” he confessed. What he especially did not like, under water, was the sight of bubbles rising around his face.
 
His first wife dreaded flying. Yet they flew a great deal. “Either that,” he told her, “or resign from the twentieth century.” They flew to California, and while they were there two planes collided over the Grand Canyon. They flew out of Boston the day after starlings had blocked the engines of an Electra and caused it to crash into the harbor with such force that people were cut in two by their safety belts. They flew over Africa, crossing the equator at night, the land beneath them an inky chasm lit by a few sparks of tribal fire. They landed on dusty runways, with the cabin doors banging. He promised her, her fear was so acute, that she would never have to fly with him again. At last, their final African flight took them up from the Ethiopian Plateau, across the pale width of the Libyan Desert, to the edge of the Mediterranean, and on to Rome.
 
The Pan Am plane out of Rome was the most comforting possible—a jumbo jet wide as a house, stocked with American magazines and snacks, its walls dribbling music, with only a few passengers. The great plane lifted off, and he relaxed into a Newsweek, into the prospect of a meal, a nap, and a homecoming. Harold’s wife asked, after ten minutes, “Why aren’t we climbing?”
 
He looked out of the window, and it was true—the watery world below them was not diminishing; he could distinctly see small boats and the white tips of breaking waves. The stewardesses were moving up and down the aisle with unusual speed, with unusual expressions on their glamorous faces. Harold looked at the palms of his hands; they had become damp and mottled, as during nausea. However hard he stared, the sea beneath the wings did not fall away. Sun sparkled on its surface; a tiny sailboat tacked.
 
The pilot’s voice crackled into being above them. “Folks, there’s a little warning light come on for one of our starboard engines, and in conformance with our policy of absolute security we’re going to circle around and return to the Rome airport.”
 
During the bank and return, which seemed to take an extremely long time, the stewardesses buckled themselves into rear seats, the man across the aisle kept reading L’Osservatore, and Harold’s wife, a faithful student of safety instructions, removed her high-heeled shoes and took the pins out of her hair. So again he marvelled at the deft dynamism of women in crises.
 
He held her damp hand in his and steadily gazed out of the window, pressing the sea down with his vision, stiff-arming it with his will to live. If he blinked, they would fall. One little boat at a time, the plane edged back to Rome. The blue sea visually interlocked with the calm silver edge of the wing: Olympian surfaces serenely oblivious of the immense tension between them. He had often felt, through one of these scratched oval windows, something falsely reassuring in the elaborate order of the rivets pinning the aluminum sheets together. Trust me, the metallic code spelled out; in his heart Harold, like his wife, had refused, and this refusal in him formed a hollow space terror could always flood.
 
The 747 landed smoothly back in Rome and, after an hour’s delay, while mechanics persuaded the warning light to go off, resumed the flight to America. At home, their scare became a story, a joke. He kept his promise, though, that she would never have to fly with him again; within a year, they separated.
 
During the time of separation Harold seemed to be slinging his children from one rooftop to another, silently begging them to trust him. It was as when, years before, he had adjusted his daughter’s braces in her mouth with a needle-nose pliers. She had come to him in pain, a wire gouging the inside of her cheek. But then, with his clumsy fingers in her mouth, her eyes widened with fear of worse pain. He gaily accused her, “You don’t trust me.” The gaiety of his voice revealed a crucial space, a gap between their situations: it would be his blunder, but her pain. Another’s pain is not our own. Religion, he supposed, seeks to close this gap, but each generation’s torturers keep it open. Without it, compassion would crush us; the space of indifference is where we breathe. Harold had heard this necessary indifference in the pilot’s voice drawling “Folks,” and in his father’s voice urging “Jump.” He heard it in his own reassurances as he bestowed them. “Sweetie, I know you’re feeling pressure now, but if you’ll just hold still … there’s this little sharp end—oops. Well, you wriggled.”
 
He took his girl friend to the top of a mountain. Harold hadn’t had a girl friend for many years and had to relearn the delicate blend of protectiveness and challengingness that is courtship. She was, Priscilla, old enough to have her own children, and old enough to feel fragile on skis. She had spent the day on the baby slope, practicing turns and gradually gaining confidence, while Harold ranged far and wide on the mountain, in the company of her children. As the afternoon drew to an end, he swooped down upon her in a smart spray of snow. She begged him, “Ride the baby chair, so I can show you my snowplow.”
 
“If you can snowplow here, you can come down from the top of the mountain,” Harold told her.
 
“Really?” Her cheeks were pink, from her day on the baby slope. She wore a white knit hat. Her eyes were baby blue.
 
“Absolutely. We’ll come down on the novice trail.”
 
She trusted him. But on the chair lift, as the slope beneath them increased and the windswept iciness of the higher trails became apparent, a tremulous doubt entered into her face, and he realized, with that perversely joyful inner widening the torturer feels, that he had done the wrong thing. The lift rumbled onward, ever higher. “Can I really ski this?” Priscilla asked, with a child’s beautiful willingness to be reassured. In the realms of empathy, he was again standing on the edge of that swimming pool. The evil-smelling water was a long way down.
 
He told her, “You won’t be skiing this part. Look at the view. It’s gorgeous.”
 
She turned, rigid in the chair as it swayed across a chasm. With obedient eyes she gazed at the infinite blue-green perspectives of wooded mountain and frozen lake. The parking lot below seemed a little platter tessellated with cars. The lift cable irresistibly slithered; the air dropped in temperature. The pines around them had grown stunted and twisted. Mist licked off the ice; they were in the clouds. Priscilla was trembling all over, and at the top could scarcely stand on her skis.

“The plainest of objects and events bloom in these stories as if they had at last found their proper climate. . . . I find myself searching for language to describe the very palpable pleasure that comes with experiencing in a writer authority and also humor and elegance and honesty and generosity of spirit.”—Marilynne Robinson, The New York Times Book Review
 
“It is in his short stories that we find Updike’s most assured work. . . . And almost without fail they give pleasure, a quality not to be taken lightly.”—The Washington Post Book World
 
“Dazzling . . . We certainly can trust him—we are in very good hands.”—The New York Times

About

The theme of trust, betrayed or fulfilled, runs through this collection of short stories: Parents lead children into peril, husbands abandon wives, wives manipulate husbands, and time undermines all. Love pangs, a favorite subject of the author, take on a new urgency as earthquakes, illnesses, lost wallets, and deaths of distant friends besiege his aging heroes and heroines. One man loves his wife’s twin, and several men love the imagined bliss of their pasts; one woman takes an impotent lover, and another must administer her father’s death. Bourgeois comforts and youthful convictions are tenderly seen as certain to erode: “Man,” as one of these stories concludes, “was not meant to abide in paradise.”

Excerpt

Trust Me
 
WHEN HAROLD was three or four, his father and mother took him to a swimming pool. This was strange, for his family rarely went places, except to the movie house two blocks from their house. Harold had no memory of ever seeing his parents in bathing suits again, after this unhappy day. What he did remember was this:
 
His father, nearly naked, was in the pool, treading water. Harold was standing shivering on the wet tile edge, suspended above the abysmal odor of chlorine, hypnotized by the bright, lapping agitation of this great volume of unnaturally blue-green water. His mother, in a black bathing suit that made her flesh appear very white, was off in a corner of his mind. His father was asking him to jump. “C’mon, Hassy, jump,” he was saying, in his mild, encouraging voice. “It’ll be all right. Jump right into my hands.” The words echoed in the flat acoustics of the water and tile and sunlight, heightening Harold’s sense of exposure, his awareness of his own white skin. His father seemed eerily stable and calm in the water, and the child idly wondered, as he jumped, what the man was standing on.
 
Then the blue-green water was all around him, dense and churning, and when he tried to take a breath a fist was shoved into his throat. He saw his own bubbles rising in front of his face, a multitude of them, rising as he sank; he sank it seemed for a very long time, until something located him in the darkening element and seized him by the arm.
 
He was in air again, on his father’s shoulder, still fighting for breath. They were out of the pool. His mother swiftly came up to the two of them and, with a deftness remarkable in one so angry, slapped his father on the face, loudly, next to Harold’s ear. The slap seemed to resonate all over the pool area, and to be heard by all the other bathers; but perhaps this was the acoustics of memory. His sense of public embarrassment amid sparkling nakedness—of every strange face turned toward him as he passed from his father’s wet arms into his mother’s dry ones—survived his recovery of breath. His mother’s anger seemed directed at him as much as at his father. His feet now were on grass. Standing wrapped in a towel near his mother’s knees while the last burning fragments of water were coughed from his lungs, Harold felt eternally disgraced.
 
He never knew what had happened; by the time he asked, so many years had passed that his father had forgotten. “Wasn’t that a crying shame,” the old man said, with his mild mixture of mournfulness and comedy. “Sink or swim, and you sank.” Perhaps Harold had leaped a moment before it was expected, or had proved unexpectedly heavy, and had thus slipped through his father’s grasp. Unaccountably, all through his growing up he continued to trust his father; it was his mother he distrusted, her swift sure-handed anger.
 
He didn’t learn to swim until college, and even then he passed the test by frog-kicking the length of the pool on his back, with the instructor brandishing a thick stick to grasp if he panicked and began to sink. The chemical scent of a pool always frightened him: blue-green dragon breath.
 
His children, raised in an amphibious world of summer camps and country clubs, easily became swimmers. They tried to teach him how to dive. “You must keep your head down, Dad. That’s why you keep getting belly-whoppers.”
 
“I’m scared of not coming up,” he confessed. What he especially did not like, under water, was the sight of bubbles rising around his face.
 
His first wife dreaded flying. Yet they flew a great deal. “Either that,” he told her, “or resign from the twentieth century.” They flew to California, and while they were there two planes collided over the Grand Canyon. They flew out of Boston the day after starlings had blocked the engines of an Electra and caused it to crash into the harbor with such force that people were cut in two by their safety belts. They flew over Africa, crossing the equator at night, the land beneath them an inky chasm lit by a few sparks of tribal fire. They landed on dusty runways, with the cabin doors banging. He promised her, her fear was so acute, that she would never have to fly with him again. At last, their final African flight took them up from the Ethiopian Plateau, across the pale width of the Libyan Desert, to the edge of the Mediterranean, and on to Rome.
 
The Pan Am plane out of Rome was the most comforting possible—a jumbo jet wide as a house, stocked with American magazines and snacks, its walls dribbling music, with only a few passengers. The great plane lifted off, and he relaxed into a Newsweek, into the prospect of a meal, a nap, and a homecoming. Harold’s wife asked, after ten minutes, “Why aren’t we climbing?”
 
He looked out of the window, and it was true—the watery world below them was not diminishing; he could distinctly see small boats and the white tips of breaking waves. The stewardesses were moving up and down the aisle with unusual speed, with unusual expressions on their glamorous faces. Harold looked at the palms of his hands; they had become damp and mottled, as during nausea. However hard he stared, the sea beneath the wings did not fall away. Sun sparkled on its surface; a tiny sailboat tacked.
 
The pilot’s voice crackled into being above them. “Folks, there’s a little warning light come on for one of our starboard engines, and in conformance with our policy of absolute security we’re going to circle around and return to the Rome airport.”
 
During the bank and return, which seemed to take an extremely long time, the stewardesses buckled themselves into rear seats, the man across the aisle kept reading L’Osservatore, and Harold’s wife, a faithful student of safety instructions, removed her high-heeled shoes and took the pins out of her hair. So again he marvelled at the deft dynamism of women in crises.
 
He held her damp hand in his and steadily gazed out of the window, pressing the sea down with his vision, stiff-arming it with his will to live. If he blinked, they would fall. One little boat at a time, the plane edged back to Rome. The blue sea visually interlocked with the calm silver edge of the wing: Olympian surfaces serenely oblivious of the immense tension between them. He had often felt, through one of these scratched oval windows, something falsely reassuring in the elaborate order of the rivets pinning the aluminum sheets together. Trust me, the metallic code spelled out; in his heart Harold, like his wife, had refused, and this refusal in him formed a hollow space terror could always flood.
 
The 747 landed smoothly back in Rome and, after an hour’s delay, while mechanics persuaded the warning light to go off, resumed the flight to America. At home, their scare became a story, a joke. He kept his promise, though, that she would never have to fly with him again; within a year, they separated.
 
During the time of separation Harold seemed to be slinging his children from one rooftop to another, silently begging them to trust him. It was as when, years before, he had adjusted his daughter’s braces in her mouth with a needle-nose pliers. She had come to him in pain, a wire gouging the inside of her cheek. But then, with his clumsy fingers in her mouth, her eyes widened with fear of worse pain. He gaily accused her, “You don’t trust me.” The gaiety of his voice revealed a crucial space, a gap between their situations: it would be his blunder, but her pain. Another’s pain is not our own. Religion, he supposed, seeks to close this gap, but each generation’s torturers keep it open. Without it, compassion would crush us; the space of indifference is where we breathe. Harold had heard this necessary indifference in the pilot’s voice drawling “Folks,” and in his father’s voice urging “Jump.” He heard it in his own reassurances as he bestowed them. “Sweetie, I know you’re feeling pressure now, but if you’ll just hold still … there’s this little sharp end—oops. Well, you wriggled.”
 
He took his girl friend to the top of a mountain. Harold hadn’t had a girl friend for many years and had to relearn the delicate blend of protectiveness and challengingness that is courtship. She was, Priscilla, old enough to have her own children, and old enough to feel fragile on skis. She had spent the day on the baby slope, practicing turns and gradually gaining confidence, while Harold ranged far and wide on the mountain, in the company of her children. As the afternoon drew to an end, he swooped down upon her in a smart spray of snow. She begged him, “Ride the baby chair, so I can show you my snowplow.”
 
“If you can snowplow here, you can come down from the top of the mountain,” Harold told her.
 
“Really?” Her cheeks were pink, from her day on the baby slope. She wore a white knit hat. Her eyes were baby blue.
 
“Absolutely. We’ll come down on the novice trail.”
 
She trusted him. But on the chair lift, as the slope beneath them increased and the windswept iciness of the higher trails became apparent, a tremulous doubt entered into her face, and he realized, with that perversely joyful inner widening the torturer feels, that he had done the wrong thing. The lift rumbled onward, ever higher. “Can I really ski this?” Priscilla asked, with a child’s beautiful willingness to be reassured. In the realms of empathy, he was again standing on the edge of that swimming pool. The evil-smelling water was a long way down.
 
He told her, “You won’t be skiing this part. Look at the view. It’s gorgeous.”
 
She turned, rigid in the chair as it swayed across a chasm. With obedient eyes she gazed at the infinite blue-green perspectives of wooded mountain and frozen lake. The parking lot below seemed a little platter tessellated with cars. The lift cable irresistibly slithered; the air dropped in temperature. The pines around them had grown stunted and twisted. Mist licked off the ice; they were in the clouds. Priscilla was trembling all over, and at the top could scarcely stand on her skis.

Praise

“The plainest of objects and events bloom in these stories as if they had at last found their proper climate. . . . I find myself searching for language to describe the very palpable pleasure that comes with experiencing in a writer authority and also humor and elegance and honesty and generosity of spirit.”—Marilynne Robinson, The New York Times Book Review
 
“It is in his short stories that we find Updike’s most assured work. . . . And almost without fail they give pleasure, a quality not to be taken lightly.”—The Washington Post Book World
 
“Dazzling . . . We certainly can trust him—we are in very good hands.”—The New York Times