Fierce Invalids Home from Hot Climates

$19.95 US
Audio | Random House Audio
On sale Jul 05, 2000 | 16 Hours and 17 Minutes | 9780553752786
Sales rights: World
"Tom Robbins has a grasp on things that dazzles the brain and he's also a world-class storyteller."
--Thomas Pynchon

In Fierce Invalids Home From Hot Climates, his seventh and biggest novel, the wise, witty, always gutsy Tom Robbins brings onstage the most complex and compelling character he has ever created.

Switters is a contradiction for all seasons: an anarchist who works for the government, a pacifist who carries a gun, a vegetarian who sops up ham gravy, a cyberwhiz who hates computers, a robust bon vivant who can be as squeamish as any fop, a man who, though obsessed with the preservation of innocence, is aching to deflower his high-school-age stepsister (only to become equally enamored of a nun ten years his senior).

Yet there is nothing remotely wishy-washy about Switters. He doesn't merely pack a pistol. He is a pistol.

And as we dog Switters's strangely elevated heels across four continents, in and out of love and danger, Robbins explores, challenges, mocks, and celebrates virtually every major aspect of our mercurial era.

As many readers well know, to describe a Tom Robbins plot does not begin to describe a Tom Robbins novel. Moreover, the internationally acclaimed, best-selling author, with his love of language, nuance, and surprise, is as opposed to story summations as J.D. Salinger. It is revealing, however, to learn what things Robbins lists as having influenced the writing of Fierce Invalids:

"This book was inspired by an entry from Bruce Chatwin's journal, by a CIA agent I met in Southeast Asia, by the mystery surrounding the lost prophecy of the Virgin of Fatima, by the increasing evidence that the interplay of opposites is the engine that runs the universe, and by embroidered memories of old Terry and the Pirates comic books."

Robbins also has said that throughout the writing of Fierce Invalids Home From Hot Climates he was guided by the advice of Julia Child: "Learn to handle hot things. Keep your knives sharp. Above all, have a good time."

Perhaps that is why he has managed to write a provocative, rascally novel that takes no prisoners--and yet is upbeat, romantic, meaningful, adventurous, edifying, and fun.
  • WINNER | 2001
    Audie Awards
Lima, Peru
October 1997


The naked parrot looked like a human fetus spliced onto a kosher chicken. It was so old it had lost every single one of its feathers, even its pinfeathers, and its bumpy, jaundiced skin was latticed by a network of rubbery blue veins.

"Pathological," muttered Switters, meaning not simply the parrot but the whole scene, including the shrunken old woman in whose footsteps the bird doggedly followed as she moved about the darkened villa. The parrot's scabrous claws made a dry, scraping noise as they fought for purchase on the terra-cotta floor tiles, and when, periodically, the creature lost its footing and skidded an inch or two, it issued a squawk so quavery and feeble that it sounded as if it were being petted by the Boston Strangler. Each time it squawked, the crone clucked, whether in sympathy or disapproval one could not tell, for she never turned to her devoted little companion but wandered aimlessly from one piece of ancient wooden furniture to another in her amorphous black dress.

Switters feigned appreciation, but he was secretly repulsed, all the more so because Juan Carlos, who stood beside him on the patio, also spying in the widow's windows, was beaming with pride and satisfaction. Switters slapped at the mosquitoes that perforated his torso and cursed every hair on that hand of Fate that had snatched him into South too-goddamn-vivid America.


Boquichicos, Peru
November 1997


Attracted by the lamplight that seeped through the louvers, a mammoth moth beat against the shutters like a storm. Switters watched it with some fascination as he waited for the boys to bring his luggage up from the river. That moth was no butterfly, that was certain. It was a night animal, and it had a night animal's mystery.

Butterflies were delicate and gossamer, but this moth possessed strength and weight. Its heavy wings were powdered like the face of an old actress. Butterflies were presumed to be carefree, moths were slaves to a fiery obsession. Butterflies seemed innocuous, moths somehow...erotic. The dust of the moth was a sexual dust. The twitch of the moth was a sexual twitch. Suddenly Switters touched his throat and moaned. He moaned because it occurred to him how much the moth resembled a clitoris with wings.

Vivid.

There were grunts on the path behind him, and Inti emerged from the forest bearing, somewhat apprehensively, Switters's crocodile-skin valise. In a moment the other two boys appeared with the rest of his gear. It was time to review accommodations in the Hotel Boquichicos. He dreaded what he might find behind its shuttered windows, its double-screened doors, but he motioned for the boys to follow him in. "Let's go. This insect--" He nodded at the great moth that, fan though it might, was unable to stir the steaming green broth that in the Amazon often substitutes for air. "This insect is making me feel--" Switters hesitated to utter the word, even though he knew Inti could understand no more than a dozen simple syllables of English. "This insect is making me feel libidinous."
"In his seventh, and perhaps most complex novel to date, Robbins shines as brilliantly as he has in the past...superb current social commentary."
--New York Post

About

"Tom Robbins has a grasp on things that dazzles the brain and he's also a world-class storyteller."
--Thomas Pynchon

In Fierce Invalids Home From Hot Climates, his seventh and biggest novel, the wise, witty, always gutsy Tom Robbins brings onstage the most complex and compelling character he has ever created.

Switters is a contradiction for all seasons: an anarchist who works for the government, a pacifist who carries a gun, a vegetarian who sops up ham gravy, a cyberwhiz who hates computers, a robust bon vivant who can be as squeamish as any fop, a man who, though obsessed with the preservation of innocence, is aching to deflower his high-school-age stepsister (only to become equally enamored of a nun ten years his senior).

Yet there is nothing remotely wishy-washy about Switters. He doesn't merely pack a pistol. He is a pistol.

And as we dog Switters's strangely elevated heels across four continents, in and out of love and danger, Robbins explores, challenges, mocks, and celebrates virtually every major aspect of our mercurial era.

As many readers well know, to describe a Tom Robbins plot does not begin to describe a Tom Robbins novel. Moreover, the internationally acclaimed, best-selling author, with his love of language, nuance, and surprise, is as opposed to story summations as J.D. Salinger. It is revealing, however, to learn what things Robbins lists as having influenced the writing of Fierce Invalids:

"This book was inspired by an entry from Bruce Chatwin's journal, by a CIA agent I met in Southeast Asia, by the mystery surrounding the lost prophecy of the Virgin of Fatima, by the increasing evidence that the interplay of opposites is the engine that runs the universe, and by embroidered memories of old Terry and the Pirates comic books."

Robbins also has said that throughout the writing of Fierce Invalids Home From Hot Climates he was guided by the advice of Julia Child: "Learn to handle hot things. Keep your knives sharp. Above all, have a good time."

Perhaps that is why he has managed to write a provocative, rascally novel that takes no prisoners--and yet is upbeat, romantic, meaningful, adventurous, edifying, and fun.

Awards

  • WINNER | 2001
    Audie Awards

Excerpt

Lima, Peru
October 1997


The naked parrot looked like a human fetus spliced onto a kosher chicken. It was so old it had lost every single one of its feathers, even its pinfeathers, and its bumpy, jaundiced skin was latticed by a network of rubbery blue veins.

"Pathological," muttered Switters, meaning not simply the parrot but the whole scene, including the shrunken old woman in whose footsteps the bird doggedly followed as she moved about the darkened villa. The parrot's scabrous claws made a dry, scraping noise as they fought for purchase on the terra-cotta floor tiles, and when, periodically, the creature lost its footing and skidded an inch or two, it issued a squawk so quavery and feeble that it sounded as if it were being petted by the Boston Strangler. Each time it squawked, the crone clucked, whether in sympathy or disapproval one could not tell, for she never turned to her devoted little companion but wandered aimlessly from one piece of ancient wooden furniture to another in her amorphous black dress.

Switters feigned appreciation, but he was secretly repulsed, all the more so because Juan Carlos, who stood beside him on the patio, also spying in the widow's windows, was beaming with pride and satisfaction. Switters slapped at the mosquitoes that perforated his torso and cursed every hair on that hand of Fate that had snatched him into South too-goddamn-vivid America.


Boquichicos, Peru
November 1997


Attracted by the lamplight that seeped through the louvers, a mammoth moth beat against the shutters like a storm. Switters watched it with some fascination as he waited for the boys to bring his luggage up from the river. That moth was no butterfly, that was certain. It was a night animal, and it had a night animal's mystery.

Butterflies were delicate and gossamer, but this moth possessed strength and weight. Its heavy wings were powdered like the face of an old actress. Butterflies were presumed to be carefree, moths were slaves to a fiery obsession. Butterflies seemed innocuous, moths somehow...erotic. The dust of the moth was a sexual dust. The twitch of the moth was a sexual twitch. Suddenly Switters touched his throat and moaned. He moaned because it occurred to him how much the moth resembled a clitoris with wings.

Vivid.

There were grunts on the path behind him, and Inti emerged from the forest bearing, somewhat apprehensively, Switters's crocodile-skin valise. In a moment the other two boys appeared with the rest of his gear. It was time to review accommodations in the Hotel Boquichicos. He dreaded what he might find behind its shuttered windows, its double-screened doors, but he motioned for the boys to follow him in. "Let's go. This insect--" He nodded at the great moth that, fan though it might, was unable to stir the steaming green broth that in the Amazon often substitutes for air. "This insect is making me feel--" Switters hesitated to utter the word, even though he knew Inti could understand no more than a dozen simple syllables of English. "This insect is making me feel libidinous."

Praise

"In his seventh, and perhaps most complex novel to date, Robbins shines as brilliantly as he has in the past...superb current social commentary."
--New York Post