The Beautiful Struggle

A Father, Two Sons, and an Unlikely Road to Manhood

$4.99 US
Random House Group | One World
On sale May 06, 2008 | 9780385526845
Reading Level: Lexile 1000L
Sales rights: US, Canada, Open Mkt
An exceptional father-son story from the National Book Award–winning author of Between the World and Me about the reality that tests us, the myths that sustain us, and the love that saves us.

Paul Coates was an enigmatic god to his sons: a Vietnam vet who rolled with the Black Panthers, an old-school disciplinarian and new-age believer in free love, an autodidact who launched a publishing company in his basement dedicated to telling the true history of African civilization. Most of all, he was a wily tactician whose mission was to carry his sons across the shoals of inner-city adolescence—and through the collapsing civilization of Baltimore in the Age of Crack—and into the safe arms of Howard University, where he worked so his children could attend for free.

Among his brood of seven, his main challenges were Ta-Nehisi, spacey and sensitive and almost comically miscalibrated for his environment, and Big Bill, charismatic and all-too-ready for the challenges of the streets. The Beautiful Struggle follows their divergent paths through this turbulent period, and their father’s steadfast efforts—assisted by mothers, teachers, and a body of myths, histories, and rituals conjured from the past to meet the needs of a troubled present—to keep them whole in a world that seemed bent on their destruction.

With a remarkable ability to reimagine both the lost world of his father’s generation and the terrors and wonders of his own youth, Coates offers readers a small and beautiful epic about boys trying to become men in black America and beyond.

Praise for The Beautiful Struggle

“I grew up in a Maryland that lay years, miles and worlds away from the one whose summers and sorrows Ta-Nehisi Coates evokes in this memoir with such tenderness and science; and the greatest proof of the power of this work is the way that, reading it, I felt that time, distance and barriers of race and class meant nothing. That in telling his story he was telling my own story, for me.”—Michael Chabon, bestselling author of The Yiddish Policemen’s Union and The Amazing Adventures of Kavalier & Clay

“Ta-Nehisi Coates is the young James Joyce of the hip hop generation.”—Walter Mosley
CHAPTER 1


There lived a little boy 
who was misled . . .


When they caught us down on Charles Street, they were all that I'd heard. They did not wave banners, flash amulets or secret signs. Still, I could feel their awful name advancing out of the lore. They were remarkable. They sported the Stetsons of Hollis, but with no gold. They were shadow and rangy, like they could three-piece you--jab, uppercut, jab--from a block away. They had no eyes. They shrieked and jeered, urged themselves on, danced wildly, chanted Rock and Roll is here to stay. When Murphy Homes closed in on us, the moon ducked behind its black cloak and Fell's Point dilettantes shuffled in boots.

It was their numbers that tipped me off--no one else rolled this deep. We were surrounded by six to eight, but up and down the street, packs of them took up different corners. I was spaced-out as usual, lost in the Caves of Chaos and the magic of Optimus Prime's vanishing trailer. It took time for me to get clear. Big Bill made them a block away, grew tense, but I did not understand, even after they touched my older brother with a right cross so awkward I thought it was a greeting.

I didn't catch on till his arms were pumping the wind. Bill was out. Murphy Homes turned to me.

In those days, Baltimore was factional, segmented into crews who took their names from their local civic associations. Walbrook Junction ran everything, until they met North and Pulaski, who, craven and honorless, would punk you right in front your girl.

Above them all, Murphy Homes waved the scepter. The scale of their banditry made them mythical. Wherever they walked--Old Town, Shake and Bake, the harbor--they busted knees and melted faces. Across the land, the name rang out: Murphy Homes beat niggers with gas nozzles. Murphy Homes split backs and poured in salt. Murphy Homes moved with one eye, flew out on bat wings, performed dark rites atop Druid Hill.

I tried to follow Bill, but they cut me off. A goblin stepped out from the pack--

Fuck, you going, bitch?

--and stunned me with a straight right. About that time my Converse turned to cleats and I bolted, leaving dents and divots in the concrete. The streetlights flickered, waved as I broke ankles, blew by, and when the bandits reached to check me, I left only imagination and air. I doubled back to Lexington Market. There was no sign of Bill. I reached for a pay phone.

Dad, we got banked.

Okay, Son, find an adult. Stand next to an adult.

I'm in front of Lexington Market. I lost Bill.

Son, I'm on the way.

I had crossed a border. This was more than Dad's black leather belt--I knew how that would end. But word to Tucker's Kobolds, this thing filing out across the way, lost boys with a stake in only each other, stretching down the block in packs, berserking everywhere, was awful and random. I stood near a man about Dad's age waiting at a bus stop, like age could shield me. He looked over at me unfazed and then back across the streets at the growing fray of frenzied youth.

***

We'd come out that night in search of the wrestlers, who were our latest sensation. They elevated bar fights to a martial art, would rush the ring, all juiced on jeers and applause, white music blaring, Van Halen hair waving in the wind, and raise their chins until their egos were eye level with God. Moves were invented, named, patented, and feared--heaven help Bob Backlund in the camel clutch--and we loved that, too, the stew of language that gave a beat down style and grace, that made an eye gouge a ritual.

You could find us, noon on Saturdays, sprawled out on the living room floor, adjusting the hanger behind our secondhand color TV, until the Fabulous Freebirds, Baby Doll, and Ron Garvin emerged from the wavy lines and static. The wrestlers barnstormed the country perfecting their insane number. They were confused. They ranted with the rhythm of black preachers; wore silk robes, bikinis, and spangled belts; carried parasols; and recited poetry. Glossy mags sprung up from nothing, spread their gospel, their scowling mugs, their hollow threats and lore. They gave dressing room interviews, punctuated by jabs at the air. Whole histories were pillaged, myths bastardized, until Hercules Hernandez stepped off Olympus and the Iron Sheik delivered the Mideast to the Midwest. They held summits and negotiations, all of these ending in a rain of blows.

Other fans had their Hulksters or the golden Von Erichs. But for me only the American Dream could endure.

He waddled down the aisle, bathed in applause and fireworks. His gut poured over bikini trunks. His eyes were black histories.

The Horsemen would tie the Dream to the ropes, beat him until his hair was a mop of bloody blond. I'd cringe and pound the floor, yelling for him to get up. But Bill always rooted for villains, and cackled as Ric Flair strutted the ring, flipping his wig of platinum blond. Then the Dream would dig in, reverse figure fours, throw bionic elbows and Sonny Liston rights. In the midst of his fleeing adversaries--the battered Tully Blanchards and shattered Andersons--he'd look out at the crowd gone mad and snatch the mic like KRS--

It's me, the Great. The king of the ring. Like I told you, the Dream IS professional wrestling. I have been to the mountaintop, and it will take a hell of a man to knock me off.

We had to see them. But that road went right through Dad, whose only point in life was toil. He worked seven days a week. Big Bill called him the pope, for weekly he issued sweeping edicts like he had a line to God. He outlawed eating on Thanksgiving, under pain of lecture. He disavowed air-conditioning, VCRs, and Atari. He made us cut the grass with a hand-powered mower. In the morning he'd play NPR and solicit our opinions just to contravene and debate. Once, over a series of days, he did the math on Tarzan and the Lone Ranger until, at six, I saw the dull taint of colonial power. I am sure this is what brought him comically to our side.

With two tickets to live pro wrestling, he offered a gift and a joke--

Go see Kamala the Ugandan Giant. And you will understand, as I do, that that nigger is from Alabama.

At the Baltimore Arena we were in full effect. We peered down from cheap seats so high that the ring was our own gift box. There were white people everywhere, and this was the most I'd ever seen of them. They wore caps and jeans sliced into shorts; herded kids, hot dogs, and popcorn. I thought they looked dirty, and this made me racist and proud.

I'd like to tell you what immediately happened next. But I don't remember. I was open, and wanted to cheer the Birdman, resplendent in wraparound shades, a Jheri curl, and fluorescent gold-and-blue spandex. He was always oblivious to his theme music. His tune was internal, and maybe that night he dipped and glided toward the ring, flapping his arms and talking to the parakeets perched on each of his shoulders. I wanted to see the Dream, who was at the height of his feud with the Horsemen, and outnumbered, had taken to guerrilla warfare--masks, capes, ambushes, beef extended into parking lots, driveways and dream dates. But I lost it all out there, and when I dig for that night, all that emerges are the tendrils of Murphy Homes, how they dug into my brother's head. He was already a kid of the streets. But this highway robbery, this thievery of your own person, pushed him toward something else. He was touched by the desperate, and now fully comprehended the stakes.

I know that Dad and Ma saved me, pulled up in their silver Rabbit, some time after I made the call; that Dad ran off into the swarming night to find his eldest son, and for the first and only time, I was afraid for him. I know that Bill's mother, Linda, swooped down to the harbor and found Bill first, shuttled him back out to their crib in Jamestown. I know that Bill returned to Tioga days later, and when I told him how I'd dusted Murphy Homes, how I was on some Kid Flash shit, he was incredulous--

Fool, they let you get away so they could chase me.
“I grew up in a Maryland that lay years, miles and worlds away from the one whose summers and sorrows Ta-Nehisi Coates evokes in this memoir with such tenderness and science; and the greatest proof of the power of this work is the way that, reading it, I felt that time, distance and barriers of race and class meant nothing. That in telling his story he was telling my own story, for me.—Michael Chabon, bestselling author of The Yiddish Policemen’ s Union and The Amazing Adventures of Kavalier & Clay

“Ta-Nehisi Coates is the young James Joyce of the hip hop generation.“—Walter Mosley

“Ta-Nehisi Coates's The Beautiful Struggle is a compelling story told in a musical voice about the author’ s father, a proud black man and revolutionary, struggling to raise his family in the ashes of the revolution.  A timely story of family, tough love, and courage.”—Flores Forbes, author of Will You Die With Me?: My Life and the Black Panther Party

“A beautiful journey.  A voice rich in detail, Coates is lyrical and clever. As he navigates through a slice of urban American, we root for him as he fumbles and finds purpose. This debut establishes Coates are one of the most luminous storytellers of his generation.”—Natalie Y. Moore, author Deconstructing Tyrone: A New Look at Black Masculinity in the Hip-Hop Generation

A beautiful story of manhood from a beautiful American city, where emotions fall as hard as rain and can prove to be just as cleansing. But the most remarkable thing in The Beautiful Struggle is the voice of Ta-Nehisi Coates, which lingers in the ear. A find you're not likely to forget.“—Neely Tucker, author of Love in the Driest Season

 “With humor, grace, and an impressive reserve of compassion, Ta-Nehisi Coates has crafted a great gift of a book.  The Beautiful Struggle should be required reading for black boys—and those who are raising one.”—William Jelani Cobb, author of The Devil and Dave Chappelle

“[A] compact, young-voiced, old-souled book . . . its voice is prophetic.”—Rick Simonson, Elliott Bay Book Company

About

An exceptional father-son story from the National Book Award–winning author of Between the World and Me about the reality that tests us, the myths that sustain us, and the love that saves us.

Paul Coates was an enigmatic god to his sons: a Vietnam vet who rolled with the Black Panthers, an old-school disciplinarian and new-age believer in free love, an autodidact who launched a publishing company in his basement dedicated to telling the true history of African civilization. Most of all, he was a wily tactician whose mission was to carry his sons across the shoals of inner-city adolescence—and through the collapsing civilization of Baltimore in the Age of Crack—and into the safe arms of Howard University, where he worked so his children could attend for free.

Among his brood of seven, his main challenges were Ta-Nehisi, spacey and sensitive and almost comically miscalibrated for his environment, and Big Bill, charismatic and all-too-ready for the challenges of the streets. The Beautiful Struggle follows their divergent paths through this turbulent period, and their father’s steadfast efforts—assisted by mothers, teachers, and a body of myths, histories, and rituals conjured from the past to meet the needs of a troubled present—to keep them whole in a world that seemed bent on their destruction.

With a remarkable ability to reimagine both the lost world of his father’s generation and the terrors and wonders of his own youth, Coates offers readers a small and beautiful epic about boys trying to become men in black America and beyond.

Praise for The Beautiful Struggle

“I grew up in a Maryland that lay years, miles and worlds away from the one whose summers and sorrows Ta-Nehisi Coates evokes in this memoir with such tenderness and science; and the greatest proof of the power of this work is the way that, reading it, I felt that time, distance and barriers of race and class meant nothing. That in telling his story he was telling my own story, for me.”—Michael Chabon, bestselling author of The Yiddish Policemen’s Union and The Amazing Adventures of Kavalier & Clay

“Ta-Nehisi Coates is the young James Joyce of the hip hop generation.”—Walter Mosley

Excerpt

CHAPTER 1


There lived a little boy 
who was misled . . .


When they caught us down on Charles Street, they were all that I'd heard. They did not wave banners, flash amulets or secret signs. Still, I could feel their awful name advancing out of the lore. They were remarkable. They sported the Stetsons of Hollis, but with no gold. They were shadow and rangy, like they could three-piece you--jab, uppercut, jab--from a block away. They had no eyes. They shrieked and jeered, urged themselves on, danced wildly, chanted Rock and Roll is here to stay. When Murphy Homes closed in on us, the moon ducked behind its black cloak and Fell's Point dilettantes shuffled in boots.

It was their numbers that tipped me off--no one else rolled this deep. We were surrounded by six to eight, but up and down the street, packs of them took up different corners. I was spaced-out as usual, lost in the Caves of Chaos and the magic of Optimus Prime's vanishing trailer. It took time for me to get clear. Big Bill made them a block away, grew tense, but I did not understand, even after they touched my older brother with a right cross so awkward I thought it was a greeting.

I didn't catch on till his arms were pumping the wind. Bill was out. Murphy Homes turned to me.

In those days, Baltimore was factional, segmented into crews who took their names from their local civic associations. Walbrook Junction ran everything, until they met North and Pulaski, who, craven and honorless, would punk you right in front your girl.

Above them all, Murphy Homes waved the scepter. The scale of their banditry made them mythical. Wherever they walked--Old Town, Shake and Bake, the harbor--they busted knees and melted faces. Across the land, the name rang out: Murphy Homes beat niggers with gas nozzles. Murphy Homes split backs and poured in salt. Murphy Homes moved with one eye, flew out on bat wings, performed dark rites atop Druid Hill.

I tried to follow Bill, but they cut me off. A goblin stepped out from the pack--

Fuck, you going, bitch?

--and stunned me with a straight right. About that time my Converse turned to cleats and I bolted, leaving dents and divots in the concrete. The streetlights flickered, waved as I broke ankles, blew by, and when the bandits reached to check me, I left only imagination and air. I doubled back to Lexington Market. There was no sign of Bill. I reached for a pay phone.

Dad, we got banked.

Okay, Son, find an adult. Stand next to an adult.

I'm in front of Lexington Market. I lost Bill.

Son, I'm on the way.

I had crossed a border. This was more than Dad's black leather belt--I knew how that would end. But word to Tucker's Kobolds, this thing filing out across the way, lost boys with a stake in only each other, stretching down the block in packs, berserking everywhere, was awful and random. I stood near a man about Dad's age waiting at a bus stop, like age could shield me. He looked over at me unfazed and then back across the streets at the growing fray of frenzied youth.

***

We'd come out that night in search of the wrestlers, who were our latest sensation. They elevated bar fights to a martial art, would rush the ring, all juiced on jeers and applause, white music blaring, Van Halen hair waving in the wind, and raise their chins until their egos were eye level with God. Moves were invented, named, patented, and feared--heaven help Bob Backlund in the camel clutch--and we loved that, too, the stew of language that gave a beat down style and grace, that made an eye gouge a ritual.

You could find us, noon on Saturdays, sprawled out on the living room floor, adjusting the hanger behind our secondhand color TV, until the Fabulous Freebirds, Baby Doll, and Ron Garvin emerged from the wavy lines and static. The wrestlers barnstormed the country perfecting their insane number. They were confused. They ranted with the rhythm of black preachers; wore silk robes, bikinis, and spangled belts; carried parasols; and recited poetry. Glossy mags sprung up from nothing, spread their gospel, their scowling mugs, their hollow threats and lore. They gave dressing room interviews, punctuated by jabs at the air. Whole histories were pillaged, myths bastardized, until Hercules Hernandez stepped off Olympus and the Iron Sheik delivered the Mideast to the Midwest. They held summits and negotiations, all of these ending in a rain of blows.

Other fans had their Hulksters or the golden Von Erichs. But for me only the American Dream could endure.

He waddled down the aisle, bathed in applause and fireworks. His gut poured over bikini trunks. His eyes were black histories.

The Horsemen would tie the Dream to the ropes, beat him until his hair was a mop of bloody blond. I'd cringe and pound the floor, yelling for him to get up. But Bill always rooted for villains, and cackled as Ric Flair strutted the ring, flipping his wig of platinum blond. Then the Dream would dig in, reverse figure fours, throw bionic elbows and Sonny Liston rights. In the midst of his fleeing adversaries--the battered Tully Blanchards and shattered Andersons--he'd look out at the crowd gone mad and snatch the mic like KRS--

It's me, the Great. The king of the ring. Like I told you, the Dream IS professional wrestling. I have been to the mountaintop, and it will take a hell of a man to knock me off.

We had to see them. But that road went right through Dad, whose only point in life was toil. He worked seven days a week. Big Bill called him the pope, for weekly he issued sweeping edicts like he had a line to God. He outlawed eating on Thanksgiving, under pain of lecture. He disavowed air-conditioning, VCRs, and Atari. He made us cut the grass with a hand-powered mower. In the morning he'd play NPR and solicit our opinions just to contravene and debate. Once, over a series of days, he did the math on Tarzan and the Lone Ranger until, at six, I saw the dull taint of colonial power. I am sure this is what brought him comically to our side.

With two tickets to live pro wrestling, he offered a gift and a joke--

Go see Kamala the Ugandan Giant. And you will understand, as I do, that that nigger is from Alabama.

At the Baltimore Arena we were in full effect. We peered down from cheap seats so high that the ring was our own gift box. There were white people everywhere, and this was the most I'd ever seen of them. They wore caps and jeans sliced into shorts; herded kids, hot dogs, and popcorn. I thought they looked dirty, and this made me racist and proud.

I'd like to tell you what immediately happened next. But I don't remember. I was open, and wanted to cheer the Birdman, resplendent in wraparound shades, a Jheri curl, and fluorescent gold-and-blue spandex. He was always oblivious to his theme music. His tune was internal, and maybe that night he dipped and glided toward the ring, flapping his arms and talking to the parakeets perched on each of his shoulders. I wanted to see the Dream, who was at the height of his feud with the Horsemen, and outnumbered, had taken to guerrilla warfare--masks, capes, ambushes, beef extended into parking lots, driveways and dream dates. But I lost it all out there, and when I dig for that night, all that emerges are the tendrils of Murphy Homes, how they dug into my brother's head. He was already a kid of the streets. But this highway robbery, this thievery of your own person, pushed him toward something else. He was touched by the desperate, and now fully comprehended the stakes.

I know that Dad and Ma saved me, pulled up in their silver Rabbit, some time after I made the call; that Dad ran off into the swarming night to find his eldest son, and for the first and only time, I was afraid for him. I know that Bill's mother, Linda, swooped down to the harbor and found Bill first, shuttled him back out to their crib in Jamestown. I know that Bill returned to Tioga days later, and when I told him how I'd dusted Murphy Homes, how I was on some Kid Flash shit, he was incredulous--

Fool, they let you get away so they could chase me.

Praise

“I grew up in a Maryland that lay years, miles and worlds away from the one whose summers and sorrows Ta-Nehisi Coates evokes in this memoir with such tenderness and science; and the greatest proof of the power of this work is the way that, reading it, I felt that time, distance and barriers of race and class meant nothing. That in telling his story he was telling my own story, for me.—Michael Chabon, bestselling author of The Yiddish Policemen’ s Union and The Amazing Adventures of Kavalier & Clay

“Ta-Nehisi Coates is the young James Joyce of the hip hop generation.“—Walter Mosley

“Ta-Nehisi Coates's The Beautiful Struggle is a compelling story told in a musical voice about the author’ s father, a proud black man and revolutionary, struggling to raise his family in the ashes of the revolution.  A timely story of family, tough love, and courage.”—Flores Forbes, author of Will You Die With Me?: My Life and the Black Panther Party

“A beautiful journey.  A voice rich in detail, Coates is lyrical and clever. As he navigates through a slice of urban American, we root for him as he fumbles and finds purpose. This debut establishes Coates are one of the most luminous storytellers of his generation.”—Natalie Y. Moore, author Deconstructing Tyrone: A New Look at Black Masculinity in the Hip-Hop Generation

A beautiful story of manhood from a beautiful American city, where emotions fall as hard as rain and can prove to be just as cleansing. But the most remarkable thing in The Beautiful Struggle is the voice of Ta-Nehisi Coates, which lingers in the ear. A find you're not likely to forget.“—Neely Tucker, author of Love in the Driest Season

 “With humor, grace, and an impressive reserve of compassion, Ta-Nehisi Coates has crafted a great gift of a book.  The Beautiful Struggle should be required reading for black boys—and those who are raising one.”—William Jelani Cobb, author of The Devil and Dave Chappelle

“[A] compact, young-voiced, old-souled book . . . its voice is prophetic.”—Rick Simonson, Elliott Bay Book Company