Friends Like Us

Author Lauren Fox
$4.99 US
Knopf | Vintage
On sale Feb 14, 2012 | 9780307957429
Sales rights: US, Canada, Open Mkt
With her critically acclaimed debut novel, Still Life with Husband, Lauren Fox established herself as a wise and achingly funny chronicler of domestic life and was hailed as “a delightful new voice in American fiction, a voice that instantly recalls the wry, knowing prose of Lorrie Moore” (Michiko Kakutani, The New York Times). Fox’s new novel glitters with these pleasures—fearless wordplay, humor, and nuance—and asks us the question at the heart of every friendship: What would you give up for a friend’s happiness?
 
For Willa Jacobs, seeing her best friend, Jane Weston, is like looking in a mirror on a really good day. Strangers assume they are sisters, a comparison Willa secretly enjoys. They share an apartment, clothing, and groceries, eking out rent with part-time jobs. Willa writes advertising copy, dreaming up inspirational messages for tea bags (“The path to enlightenment is steep” and “Oolong! Farewell!”), while Jane cleans houses and writes poetry about it, rhyming “dust” with “lust,” and “clog of hair” with “fog of despair.” Together Willa and Jane are a fortress of private jokes and shared opinions, with a friendship so close there’s hardly room for anyone else. But when Ben, Willa’s oldest friend, reappears and falls in love with Jane, Willa wonders: Can she let her two best friends find happiness with each other if it means leaving her behind?
CHAPTER ONE

Jane sweeps a scattering of crumbs into a neat little pile. “You are quite a slob,” she says as she pushes the broom across the floor with a rhythmic swish-­swish. “And so lucky to have me to clean up your messes!”

“I know,” I say, watching an ant crawl across the windowsill. “But if I weren’t so messy, you wouldn’t get the satisfaction of cleaning the apartment. I do it for you. For your OCD.”

“Thank you, sweetie,” she says. She props the broom against the wall and drops to her hands and knees, sponging up invisible spills, scrubbing our crummy kitchen linoleum into gleaming submission.

“Don’t get me wrong,” I continue, lifting my feet so Jane can clean under them. “I appreciate it. But it’s not a favor if you can’t not do it.”

“I can stop anytime I want to!”

“You missed a spot,” I say, pointing with my left big toe to a nonexistent smudge on the floor; in response, she squeezes a dribble from the wet sponge over my bare foot.

“I do appreciate your attention to detail,” she says, dabbing my foot.

“Well, here’s how you can repay me,” I say as Jane squirts a viscous blob of liquid cleanser onto the sponge. “You can come with me tonight.”

“And you know, my pretty, that there is no chance of that.”

“Why not? A, you don’t have to talk to anyone if you don’t want to, and B, if you do, people will find you charming and interesting.” Sometimes I think it’s helpful to speak in outline form.

“Willa,” Jane says, attacking the tabletop. “I will not go to your high school reunion. A, I’m not your boyfriend, and B, I didn’t go to high school with you.”

Excitement is the cousin of dread. Three weeks ago I agreed to attend my eight-­year high school reunion. Eight-­year reunion, yes: there it was, in my in-­box, an Evite to a list of two hundred twenty-­eight vaguely familiar names from one vaguely familiar name: Shelby Stigmeyer, who, the invitation explained, was supposed to get married tonight, but her fiancé called off the engagement, and Shelby couldn’t get the deposit back on the room. Aw, I thought. Awwww. And in this fleeting, unfortunate moment of sympathy, I added my name to the “yes” column.

I’ve spent the last twenty-­one days regretting it. The only thing I liked about high school was leaving it—­that and my best friend, Ben Kern, nickname “Pop,” but he’s just another reason I should have declined that invitation. I don’t want to go tonight, and I desperately don’t want to go alone. Jane is, in fact, the closest thing I have to a boyfriend, and with her, what promises to be an excruciating rerun of four years of shyness could be, instead, a party. But I know her well enough to know that she’s easily moved, right up until the moment she’s not. “Fine,” I say, defeated. I deliberately let a shower of crumbs from my granola bar fall onto the table.

She reaches around me with her sponge, unimpressed, then kisses me on the head. “It will be fine. It’s only one night. You can leave early.” She dabs at the last of the crumbs, her thin arm close to my face, her skin warm and bleachy. “Take good notes. I’ll wait up.”

The trip that should take twenty minutes takes me a good forty, as I deliberately navigate the side streets and drive ten miles below the speed limit, incurring the wrath of the old man in the boat-­sized silver Chrysler behind me. I stop for gas, even though the tank is three-­quarters full. Finally I have no choice but to pull into the restaurant parking lot and face the reunion head-­on.

Inside the Hampton House’s private party room, the bass-­heavy thump of an eight-­year-­old Aerosmith power ballad bores into my skull. I squint against the swirl of Christmas lights and the confusion of faces, their features blurred, take a shallow breath through my mouth to try to minimize the smell of heavily perfumed and aftershaved bodies. Women who haven’t seen each other in ages squeal with delight; men pound each other on the back like friendly apes. I’m pressed against the back wall when I spot him. I push my head forward, suddenly unsure.

It’s his walk that I recognize, finally, the way he moves through space like he knows in his bones that the world will never belong to him—­his shoulders slightly rounded, head down, long strides meant to propel him to his destination as quickly and unobtrusively as possible. That’s him. I spent four years searching the undulating sea of high school bodies for Ben’s walk.

But everything else about him is a shock, electric and sweet. The man who is loping toward me, who is standing here smiling at me, is not the weird little wombat I knew years ago. He’s tall—­well, he’s my height—­and thin, angular, stretched out. His intense brown eyes are no longer planted deep in a round baby face; they stare out at me from a man’s face, a man’s face with cheekbones and not just a chin but an actual jaw. He’s Ben Kern, for sure, but new, improved Ben, Now with Bone Structure! He looks me up and down and then grabs me in a bear hug, and that’s my next surprise, the way he squeezes the air right out of me, and not just because he’s stronger now.

“Hey, dingbat,” he says, softly, into my hair.

“Hey, Pop,” I say. He smells good, too, like licorice, another welcome addition to Ben 2.0.

“Yeah . . . no one really calls me Pop anymore,” he says, still holding on.

“Well, not that many people call me dingbat, either.”

He puts his hands on my shoulders and takes a half step back. “Look at you.”

“Look at you,” I reply.

“You look exactly the same,” he says, and then mumbles something and glances away nervously: this is the Ben I remember, indecipherable and endearing.

“You look completely different,” I say. He meets my eyes again, and we both laugh.

“Well, I’ve had some work done.”

I squint at him, considering. “You had your lips plumped, didn’t you?”

“Plus, a little Botox.” He stares into the distance, his eyes wide. “See? I’m raising and lowering my eyebrows, but you can’t tell.”

I want to say that I’ve missed him, that I’ve been furious and confused and, finally, resigned to his absence from my life. But it all adds up to too much, and I can’t tease out anything reasonable from the mess. “I didn’t think you’d come,” I say finally.

“Why not?”

The room is quickly filling up with our former classmates; I watch as each of their faces seems to register a preprogrammed sequence, from apprehension to eager recognition, uncertainty to confidence. They move around the room like amoebas, forming and re-­forming into the social configurations of 1999. “Because we hated high school.”

“We did,” Ben agrees, following my gaze.

And that’s when I realize that I came here tonight to see him, and he to see me, a sudden and visceral understanding, shocking both for its obviousness and for the fact that I didn’t know it until this second. I take a deep breath, inhale the woolly, crowded warmth of the room. “Why did we . . . what happened?” I ask, but the background noise is a din of voices, and I’m not sure he hears me, because it’s at this moment that Alexis Moody glides up and flings her arms around me in an unexpected hug. Alexis and I sat next to each other in homeroom. She was the kind of girl who pasted the inside of her locker with words she cut out from magazines to describe herself: SPECIAL! OUTRAGEOUS! UNIQUE! WOW! For two or three minutes every day for four years, she shared the juicy details of social dramas I had no part in. Her self-­assurance was like a big umbrella. She could shelter anyone under it.

“Wendy?” she says. It takes me a minute to realize she’s talking to me.

“Willa.”

“No, it’s Alexis!” she says loudly, laughing, tapping her name tag. “Poor Shelby, huh? Awww!” Then she looks at Ben with frank admiration but not a hint of recognition. “Is this your boyfriend?” She pronounces the word like it’s something she’s just spotted bobbing in the ocean: buoyfriend.

“Yes!” Ben smiles brightly at her, offering his hand.

“Oh, my gosh!” she says, her own smile twitching a bit. “Mine is over there! Actually he’s my fee-­ahn-­say!” She points to a group of identical-­looking men in casual wear. “Rich!” she says proudly, and I’m not sure whether she’s telling us his name or describ- ing him.

There’s an awkward moment when nobody has anything to say, and, with a measure of relief, I’m plotting my escape (Is it 8:05 already?), when suddenly a cluster of women in little black dresses swoops down on us, arms waving, fabric flapping—­a colony of pretty bats. They emit a strong, collective odor of fruity perfumes with names, I imagine, like Delicious and Happy and Adorable. (Mine, if I were wearing any, would be called Wary or Irritable.) The bat-­ladies simultaneously surround and ignore Ben and me, and I find myself moved along, Alexis’s hand gripping my arm, into the larger crowd.

A woman I don’t recognize holds a camera up to her face and starts snapping photos; she looks like an emergency vehicle, the camera flashing over and over. “Okay, everyone!” she shouts, and I remember who she is—­Leah Reilly, former student council president and friend to everyone. “I just had a totally great idea! I’m going to take pictures of people with their former crushes!” She starts laughing maniacally. “Who did you like back in high school? Who did you like?”

A few people chuckle uncomfortably. All of our shoes are suddenly extremely interesting.

“Oh, come on, you guys!” Leah says again, her left hand on her hip, and somehow, from her, this chiding is amiable, more misguided camp counselor than plotter of evil. “We’re all grown up now! High school was eight years ago! Come clean. Who did you like back then? Who did you like?”

Alexis turns to me and leans in close. Her lips brush against my ear. “I forgot how much I hated high school,” she whispers, and I think that it is endlessly surprising, how everyone has a secret life. A short, dimple-­cheeked woman giggles and points to someone on the fringes of the room, and Leah grabs her and takes off, warning the rest of us to stay put, that she’ll be back.

A few of the women are murmuring to each other and flipping their hair around, clearly beginning to enjoy the opportunity to rekindle a thing or two, and I’m feeling like I actually am back in high school, complete with the attendant stomachache. I’m thinking about Ryan Cox, track star, math whiz, occasional contributor to the magazine Ben and I edited and secret hero of my fantasies (I never knew you were so pretty behind those glasses!); I’m thinking about how loneliness starts growing early and takes root like a weed. I’m starting to feel very sorry for myself.

And then Ben reappears and taps my shoulder. I automatically look down to find his face and then, seeing only torso, tip my chin up. “Let’s make like a banana,” he says, and I remember what it was like, ten years ago, to be rescued from myself. As fast as I can unhook Alexis Moody’s fingers from the flesh of my upper arm, I’m following Ben out the door and into the wintry night.
“[A] poignant comedy. . . . That sprinkling of despair and humor is typical of Fox, who . . . established herself as a chronicler of contemporary marriage and adultery. She’s in love with language and can squeeze laughs out of the worst situations while depicting nuanced, complicated characters. Her prose is intelligent. . . . This novel is ultimately about trust, betrayal and forgiveness. Fox makes you care about Willa and everyone else in Friends Like Us long after you’ve finished.” —Lisa Page, The Washington Post

“[Fox] infuses her writing with a clever, unforced humor. . . . As I finished Friends Like Us I did not despair, but reminisced about that bittersweet time of life that Fox captures perfectly with a writing style that rings with the familiarity of a long-lost friend.” —Meganne Fabrega, Minneapolis Star Tribune 
 
“Creative characters give Fox the opportunity for playful narration, puns and clever dialogue. Willa especially can be counted on for comedy, whether she is being introduced to someone’s fiancé called Rich (‘I’m not sure whether she’s telling us his name or describing him’) or trying to remember the name of a vegetarian restaurant (was it ‘Tempeh Tantrum,’ ‘Soy to the World’ or ‘Gluten-berg Bible’?). Willa’s multifarious humor is well matched by Jane’s quieter presence. But their tidy friendship is interrupted by the return of Willa’s best friend from high school, Ben. . . . Fox proves herself here, as in her first book, attracted to the crumbling, collapsing character of friendships as well as romances.” —Casey N. Cep, San Francisco Chronicle

"A funny, astute examination of the fragility of friendship.” —Stephan Lee, Entertainment Weekly

“The book is funny, breezing along as it nails its Gen-Y characters . . . It’s a strikingly wise exploration of the bonds people forge and break. Fox delivers on plot, but it’s her insight, emotion, and eye for universal truths that make Friends Like Us memorable.” —Robin Micheli, People 
 
“Love triangles are as old as love itself, so how to make a novel about the shaky geometry of romance feel fresh? Lauren Fox, in her second novel, succeeds admirably, partly because she places her twenty-something characters against a grim backdrop of economic uncertainty and the not-quite-healed wounds of parental failures. This is a snarky, punny group of friends . . . but in the end, what elevates this book above chick-lit status are its deeper insights.” —Kate Tuttle, The Boston Globe

“As I read Lauren Fox’s new novel, I dog-eared pages with witty lines, or impressively bitter ones, or ones that made me laugh. Please forgive me, Alfred A. Knopf, for what I’ve done to your book. I hadn’t intended to make origami out of it. . . . I’ve sometimes marveled at the multilayered closeness of the friendships between some women I know, to the point of occasionally wondering why they would even need men around, except for the pesky sex thing. Fox has drawn a sharp portrait of such a female friendship, inscribing both the joys and the needs that maintain its bonds while also illuminating the countervailing forces that could send its partners flying apart.” —Jim Higgins, Milwaukee Journal Sentinel 
 
“Lauren Fox’s heartbreaking second novel is about the intense bonds between women—and how they change when your friend dates your soulmate. It’s a perfect girly page-turner for cozy winter nights.” —Glamour

“In this charming novel from the critically acclaimed author of Still Life with Husband, 26-year-old Willa and her best friend Jane are inseparable—until Jane falls in love.” —People Style Watch 
 
“Lauren Fox’s Friends Like Us captures, with delicacy and humor, the ambiguities of attraction in an ironic age.” —Vogue
 
“Two best friends in their 20s wrestle with love and jealousy in Lauren Fox's hilarious, heartbreaking novel.” —Marie Claire
 
“Fox’s funny and bittersweet new novel tackles the fragility of friendship . . . When Ben meets Jane and they start dating, a love triangle forms, with Willa serving as the essential, but confused third wheel. As Ben and Jane’s relationship becomes more serious, the attraction between Ben and Willa grows, and all three must cope with the consequences. Instead of making Willa’s story maudlin and clichéd, Fox (Still Life with Husband) steers her characters toward a surprisingly realistic and complex conclusion. A thoughtful, delicate book.” —Publishers Weekly

“Lauren Fox writes with verve and a keen understanding of human relationships. She also happens to be riotously funny. Friends Like Us is at once a hilarious page-turner and a wise meditation on friendship, marriage, and the ways in which our parents’ mistakes so often shape our lives.” —J. Courtney Sullivan, author of Maine
 
Friends Like Us explores the connection between love and friendship—and the unspoken jealousy that can upend both. Fox delivers a punch (and a story I can't stop thinking about) with her surprising and deeply honest novel.” —Laura Dave, author of The First Husband
 
“Fox creates a character [in Willa] whose social awkwardness and desperation are charming. How can a reader not sympathize with a girl who can bemoan her third-wheel status with a reference to The Glass Menagerie? The relationships are realistically depicted, especially among the three friends, whose inside jokes become like a second language. The plot is pure Emily Giffin, but Fox tackles quarter-life angst with the honest of Ann Packer’s The Dive from Clausen’s Pier (2002). The hard emotional truths go down easily amid the smart, rapid-fire wit. A pure if heartbreaking pleasure.” —Booklist (starred review)
 
“Wounded, witty Willa is a remarkably complex creation. Moving, artfully written.” —Kirkus Reviews
 
“An honest look into the friendships and relationships we develop in early adulthood . . . Fox’s realistic take on the growing pains of young adulthood grips the reader to the final page. Anyone who has suffered the loss of a friendship will embrace this thoughtful novel.”  —Library Journal
 
“Reading Friends Like Us is like finding an old photograph of yourself when you were in your twenties. You'll remember the too-small apartments, the odd jobs, and the (sometimes) questionable decisions you made in the name of love. By the end, Lauren Fox will have you laughing and crying and calling your best friend in the middle of the night. I know I called mine.” —Rebecca Rasmussen, author of The Bird Sisters
 
“Dazzlingly entertaining and utterly engaging, Friends Like Us draws an intimate sketch of need and loss, crosshatched by friendship and love. Willa is funny, fallible, and fierce as she navigates family's inexorable pull and the self's desire for individual orbit. Fox's gorgeous novel grapples with ordinary truths in an extraordinary way, and will leave you paying more attention to the people who matter to you most.” —Gwendolen Gross, author of The Orphan Sister
 
Friends Like Us is smart, funny, and winning, but the thing that strikes me most about it is how honest it is. Lauren Fox perfectly captures the way best friends love each other, make each other laugh, and sometimes, at their worst moments, break each other’s hearts.” —Lauren Grodstein, author of A Friend of the Family
 

About

With her critically acclaimed debut novel, Still Life with Husband, Lauren Fox established herself as a wise and achingly funny chronicler of domestic life and was hailed as “a delightful new voice in American fiction, a voice that instantly recalls the wry, knowing prose of Lorrie Moore” (Michiko Kakutani, The New York Times). Fox’s new novel glitters with these pleasures—fearless wordplay, humor, and nuance—and asks us the question at the heart of every friendship: What would you give up for a friend’s happiness?
 
For Willa Jacobs, seeing her best friend, Jane Weston, is like looking in a mirror on a really good day. Strangers assume they are sisters, a comparison Willa secretly enjoys. They share an apartment, clothing, and groceries, eking out rent with part-time jobs. Willa writes advertising copy, dreaming up inspirational messages for tea bags (“The path to enlightenment is steep” and “Oolong! Farewell!”), while Jane cleans houses and writes poetry about it, rhyming “dust” with “lust,” and “clog of hair” with “fog of despair.” Together Willa and Jane are a fortress of private jokes and shared opinions, with a friendship so close there’s hardly room for anyone else. But when Ben, Willa’s oldest friend, reappears and falls in love with Jane, Willa wonders: Can she let her two best friends find happiness with each other if it means leaving her behind?

Excerpt

CHAPTER ONE

Jane sweeps a scattering of crumbs into a neat little pile. “You are quite a slob,” she says as she pushes the broom across the floor with a rhythmic swish-­swish. “And so lucky to have me to clean up your messes!”

“I know,” I say, watching an ant crawl across the windowsill. “But if I weren’t so messy, you wouldn’t get the satisfaction of cleaning the apartment. I do it for you. For your OCD.”

“Thank you, sweetie,” she says. She props the broom against the wall and drops to her hands and knees, sponging up invisible spills, scrubbing our crummy kitchen linoleum into gleaming submission.

“Don’t get me wrong,” I continue, lifting my feet so Jane can clean under them. “I appreciate it. But it’s not a favor if you can’t not do it.”

“I can stop anytime I want to!”

“You missed a spot,” I say, pointing with my left big toe to a nonexistent smudge on the floor; in response, she squeezes a dribble from the wet sponge over my bare foot.

“I do appreciate your attention to detail,” she says, dabbing my foot.

“Well, here’s how you can repay me,” I say as Jane squirts a viscous blob of liquid cleanser onto the sponge. “You can come with me tonight.”

“And you know, my pretty, that there is no chance of that.”

“Why not? A, you don’t have to talk to anyone if you don’t want to, and B, if you do, people will find you charming and interesting.” Sometimes I think it’s helpful to speak in outline form.

“Willa,” Jane says, attacking the tabletop. “I will not go to your high school reunion. A, I’m not your boyfriend, and B, I didn’t go to high school with you.”

Excitement is the cousin of dread. Three weeks ago I agreed to attend my eight-­year high school reunion. Eight-­year reunion, yes: there it was, in my in-­box, an Evite to a list of two hundred twenty-­eight vaguely familiar names from one vaguely familiar name: Shelby Stigmeyer, who, the invitation explained, was supposed to get married tonight, but her fiancé called off the engagement, and Shelby couldn’t get the deposit back on the room. Aw, I thought. Awwww. And in this fleeting, unfortunate moment of sympathy, I added my name to the “yes” column.

I’ve spent the last twenty-­one days regretting it. The only thing I liked about high school was leaving it—­that and my best friend, Ben Kern, nickname “Pop,” but he’s just another reason I should have declined that invitation. I don’t want to go tonight, and I desperately don’t want to go alone. Jane is, in fact, the closest thing I have to a boyfriend, and with her, what promises to be an excruciating rerun of four years of shyness could be, instead, a party. But I know her well enough to know that she’s easily moved, right up until the moment she’s not. “Fine,” I say, defeated. I deliberately let a shower of crumbs from my granola bar fall onto the table.

She reaches around me with her sponge, unimpressed, then kisses me on the head. “It will be fine. It’s only one night. You can leave early.” She dabs at the last of the crumbs, her thin arm close to my face, her skin warm and bleachy. “Take good notes. I’ll wait up.”

The trip that should take twenty minutes takes me a good forty, as I deliberately navigate the side streets and drive ten miles below the speed limit, incurring the wrath of the old man in the boat-­sized silver Chrysler behind me. I stop for gas, even though the tank is three-­quarters full. Finally I have no choice but to pull into the restaurant parking lot and face the reunion head-­on.

Inside the Hampton House’s private party room, the bass-­heavy thump of an eight-­year-­old Aerosmith power ballad bores into my skull. I squint against the swirl of Christmas lights and the confusion of faces, their features blurred, take a shallow breath through my mouth to try to minimize the smell of heavily perfumed and aftershaved bodies. Women who haven’t seen each other in ages squeal with delight; men pound each other on the back like friendly apes. I’m pressed against the back wall when I spot him. I push my head forward, suddenly unsure.

It’s his walk that I recognize, finally, the way he moves through space like he knows in his bones that the world will never belong to him—­his shoulders slightly rounded, head down, long strides meant to propel him to his destination as quickly and unobtrusively as possible. That’s him. I spent four years searching the undulating sea of high school bodies for Ben’s walk.

But everything else about him is a shock, electric and sweet. The man who is loping toward me, who is standing here smiling at me, is not the weird little wombat I knew years ago. He’s tall—­well, he’s my height—­and thin, angular, stretched out. His intense brown eyes are no longer planted deep in a round baby face; they stare out at me from a man’s face, a man’s face with cheekbones and not just a chin but an actual jaw. He’s Ben Kern, for sure, but new, improved Ben, Now with Bone Structure! He looks me up and down and then grabs me in a bear hug, and that’s my next surprise, the way he squeezes the air right out of me, and not just because he’s stronger now.

“Hey, dingbat,” he says, softly, into my hair.

“Hey, Pop,” I say. He smells good, too, like licorice, another welcome addition to Ben 2.0.

“Yeah . . . no one really calls me Pop anymore,” he says, still holding on.

“Well, not that many people call me dingbat, either.”

He puts his hands on my shoulders and takes a half step back. “Look at you.”

“Look at you,” I reply.

“You look exactly the same,” he says, and then mumbles something and glances away nervously: this is the Ben I remember, indecipherable and endearing.

“You look completely different,” I say. He meets my eyes again, and we both laugh.

“Well, I’ve had some work done.”

I squint at him, considering. “You had your lips plumped, didn’t you?”

“Plus, a little Botox.” He stares into the distance, his eyes wide. “See? I’m raising and lowering my eyebrows, but you can’t tell.”

I want to say that I’ve missed him, that I’ve been furious and confused and, finally, resigned to his absence from my life. But it all adds up to too much, and I can’t tease out anything reasonable from the mess. “I didn’t think you’d come,” I say finally.

“Why not?”

The room is quickly filling up with our former classmates; I watch as each of their faces seems to register a preprogrammed sequence, from apprehension to eager recognition, uncertainty to confidence. They move around the room like amoebas, forming and re-­forming into the social configurations of 1999. “Because we hated high school.”

“We did,” Ben agrees, following my gaze.

And that’s when I realize that I came here tonight to see him, and he to see me, a sudden and visceral understanding, shocking both for its obviousness and for the fact that I didn’t know it until this second. I take a deep breath, inhale the woolly, crowded warmth of the room. “Why did we . . . what happened?” I ask, but the background noise is a din of voices, and I’m not sure he hears me, because it’s at this moment that Alexis Moody glides up and flings her arms around me in an unexpected hug. Alexis and I sat next to each other in homeroom. She was the kind of girl who pasted the inside of her locker with words she cut out from magazines to describe herself: SPECIAL! OUTRAGEOUS! UNIQUE! WOW! For two or three minutes every day for four years, she shared the juicy details of social dramas I had no part in. Her self-­assurance was like a big umbrella. She could shelter anyone under it.

“Wendy?” she says. It takes me a minute to realize she’s talking to me.

“Willa.”

“No, it’s Alexis!” she says loudly, laughing, tapping her name tag. “Poor Shelby, huh? Awww!” Then she looks at Ben with frank admiration but not a hint of recognition. “Is this your boyfriend?” She pronounces the word like it’s something she’s just spotted bobbing in the ocean: buoyfriend.

“Yes!” Ben smiles brightly at her, offering his hand.

“Oh, my gosh!” she says, her own smile twitching a bit. “Mine is over there! Actually he’s my fee-­ahn-­say!” She points to a group of identical-­looking men in casual wear. “Rich!” she says proudly, and I’m not sure whether she’s telling us his name or describ- ing him.

There’s an awkward moment when nobody has anything to say, and, with a measure of relief, I’m plotting my escape (Is it 8:05 already?), when suddenly a cluster of women in little black dresses swoops down on us, arms waving, fabric flapping—­a colony of pretty bats. They emit a strong, collective odor of fruity perfumes with names, I imagine, like Delicious and Happy and Adorable. (Mine, if I were wearing any, would be called Wary or Irritable.) The bat-­ladies simultaneously surround and ignore Ben and me, and I find myself moved along, Alexis’s hand gripping my arm, into the larger crowd.

A woman I don’t recognize holds a camera up to her face and starts snapping photos; she looks like an emergency vehicle, the camera flashing over and over. “Okay, everyone!” she shouts, and I remember who she is—­Leah Reilly, former student council president and friend to everyone. “I just had a totally great idea! I’m going to take pictures of people with their former crushes!” She starts laughing maniacally. “Who did you like back in high school? Who did you like?”

A few people chuckle uncomfortably. All of our shoes are suddenly extremely interesting.

“Oh, come on, you guys!” Leah says again, her left hand on her hip, and somehow, from her, this chiding is amiable, more misguided camp counselor than plotter of evil. “We’re all grown up now! High school was eight years ago! Come clean. Who did you like back then? Who did you like?”

Alexis turns to me and leans in close. Her lips brush against my ear. “I forgot how much I hated high school,” she whispers, and I think that it is endlessly surprising, how everyone has a secret life. A short, dimple-­cheeked woman giggles and points to someone on the fringes of the room, and Leah grabs her and takes off, warning the rest of us to stay put, that she’ll be back.

A few of the women are murmuring to each other and flipping their hair around, clearly beginning to enjoy the opportunity to rekindle a thing or two, and I’m feeling like I actually am back in high school, complete with the attendant stomachache. I’m thinking about Ryan Cox, track star, math whiz, occasional contributor to the magazine Ben and I edited and secret hero of my fantasies (I never knew you were so pretty behind those glasses!); I’m thinking about how loneliness starts growing early and takes root like a weed. I’m starting to feel very sorry for myself.

And then Ben reappears and taps my shoulder. I automatically look down to find his face and then, seeing only torso, tip my chin up. “Let’s make like a banana,” he says, and I remember what it was like, ten years ago, to be rescued from myself. As fast as I can unhook Alexis Moody’s fingers from the flesh of my upper arm, I’m following Ben out the door and into the wintry night.

Praise

“[A] poignant comedy. . . . That sprinkling of despair and humor is typical of Fox, who . . . established herself as a chronicler of contemporary marriage and adultery. She’s in love with language and can squeeze laughs out of the worst situations while depicting nuanced, complicated characters. Her prose is intelligent. . . . This novel is ultimately about trust, betrayal and forgiveness. Fox makes you care about Willa and everyone else in Friends Like Us long after you’ve finished.” —Lisa Page, The Washington Post

“[Fox] infuses her writing with a clever, unforced humor. . . . As I finished Friends Like Us I did not despair, but reminisced about that bittersweet time of life that Fox captures perfectly with a writing style that rings with the familiarity of a long-lost friend.” —Meganne Fabrega, Minneapolis Star Tribune 
 
“Creative characters give Fox the opportunity for playful narration, puns and clever dialogue. Willa especially can be counted on for comedy, whether she is being introduced to someone’s fiancé called Rich (‘I’m not sure whether she’s telling us his name or describing him’) or trying to remember the name of a vegetarian restaurant (was it ‘Tempeh Tantrum,’ ‘Soy to the World’ or ‘Gluten-berg Bible’?). Willa’s multifarious humor is well matched by Jane’s quieter presence. But their tidy friendship is interrupted by the return of Willa’s best friend from high school, Ben. . . . Fox proves herself here, as in her first book, attracted to the crumbling, collapsing character of friendships as well as romances.” —Casey N. Cep, San Francisco Chronicle

"A funny, astute examination of the fragility of friendship.” —Stephan Lee, Entertainment Weekly

“The book is funny, breezing along as it nails its Gen-Y characters . . . It’s a strikingly wise exploration of the bonds people forge and break. Fox delivers on plot, but it’s her insight, emotion, and eye for universal truths that make Friends Like Us memorable.” —Robin Micheli, People 
 
“Love triangles are as old as love itself, so how to make a novel about the shaky geometry of romance feel fresh? Lauren Fox, in her second novel, succeeds admirably, partly because she places her twenty-something characters against a grim backdrop of economic uncertainty and the not-quite-healed wounds of parental failures. This is a snarky, punny group of friends . . . but in the end, what elevates this book above chick-lit status are its deeper insights.” —Kate Tuttle, The Boston Globe

“As I read Lauren Fox’s new novel, I dog-eared pages with witty lines, or impressively bitter ones, or ones that made me laugh. Please forgive me, Alfred A. Knopf, for what I’ve done to your book. I hadn’t intended to make origami out of it. . . . I’ve sometimes marveled at the multilayered closeness of the friendships between some women I know, to the point of occasionally wondering why they would even need men around, except for the pesky sex thing. Fox has drawn a sharp portrait of such a female friendship, inscribing both the joys and the needs that maintain its bonds while also illuminating the countervailing forces that could send its partners flying apart.” —Jim Higgins, Milwaukee Journal Sentinel 
 
“Lauren Fox’s heartbreaking second novel is about the intense bonds between women—and how they change when your friend dates your soulmate. It’s a perfect girly page-turner for cozy winter nights.” —Glamour

“In this charming novel from the critically acclaimed author of Still Life with Husband, 26-year-old Willa and her best friend Jane are inseparable—until Jane falls in love.” —People Style Watch 
 
“Lauren Fox’s Friends Like Us captures, with delicacy and humor, the ambiguities of attraction in an ironic age.” —Vogue
 
“Two best friends in their 20s wrestle with love and jealousy in Lauren Fox's hilarious, heartbreaking novel.” —Marie Claire
 
“Fox’s funny and bittersweet new novel tackles the fragility of friendship . . . When Ben meets Jane and they start dating, a love triangle forms, with Willa serving as the essential, but confused third wheel. As Ben and Jane’s relationship becomes more serious, the attraction between Ben and Willa grows, and all three must cope with the consequences. Instead of making Willa’s story maudlin and clichéd, Fox (Still Life with Husband) steers her characters toward a surprisingly realistic and complex conclusion. A thoughtful, delicate book.” —Publishers Weekly

“Lauren Fox writes with verve and a keen understanding of human relationships. She also happens to be riotously funny. Friends Like Us is at once a hilarious page-turner and a wise meditation on friendship, marriage, and the ways in which our parents’ mistakes so often shape our lives.” —J. Courtney Sullivan, author of Maine
 
Friends Like Us explores the connection between love and friendship—and the unspoken jealousy that can upend both. Fox delivers a punch (and a story I can't stop thinking about) with her surprising and deeply honest novel.” —Laura Dave, author of The First Husband
 
“Fox creates a character [in Willa] whose social awkwardness and desperation are charming. How can a reader not sympathize with a girl who can bemoan her third-wheel status with a reference to The Glass Menagerie? The relationships are realistically depicted, especially among the three friends, whose inside jokes become like a second language. The plot is pure Emily Giffin, but Fox tackles quarter-life angst with the honest of Ann Packer’s The Dive from Clausen’s Pier (2002). The hard emotional truths go down easily amid the smart, rapid-fire wit. A pure if heartbreaking pleasure.” —Booklist (starred review)
 
“Wounded, witty Willa is a remarkably complex creation. Moving, artfully written.” —Kirkus Reviews
 
“An honest look into the friendships and relationships we develop in early adulthood . . . Fox’s realistic take on the growing pains of young adulthood grips the reader to the final page. Anyone who has suffered the loss of a friendship will embrace this thoughtful novel.”  —Library Journal
 
“Reading Friends Like Us is like finding an old photograph of yourself when you were in your twenties. You'll remember the too-small apartments, the odd jobs, and the (sometimes) questionable decisions you made in the name of love. By the end, Lauren Fox will have you laughing and crying and calling your best friend in the middle of the night. I know I called mine.” —Rebecca Rasmussen, author of The Bird Sisters
 
“Dazzlingly entertaining and utterly engaging, Friends Like Us draws an intimate sketch of need and loss, crosshatched by friendship and love. Willa is funny, fallible, and fierce as she navigates family's inexorable pull and the self's desire for individual orbit. Fox's gorgeous novel grapples with ordinary truths in an extraordinary way, and will leave you paying more attention to the people who matter to you most.” —Gwendolen Gross, author of The Orphan Sister
 
Friends Like Us is smart, funny, and winning, but the thing that strikes me most about it is how honest it is. Lauren Fox perfectly captures the way best friends love each other, make each other laugh, and sometimes, at their worst moments, break each other’s hearts.” —Lauren Grodstein, author of A Friend of the Family