“A writer as comfortable with reality as with fiction, with passion as with reason.” —John Le Carré
When he is tasked with solving a seemingly motiveless murder, Inspector Maigret must rely on his famous intuition to discover the truth
A retired manufacturer is found murdered with his own pistol in his favorite armchair, shattering the tranquility of a quiet Paris community. The neighbors describe the Josselin household as a bastion of bourgeois compatibility, and Inspector Maigret is stymied by the absence of motive and by the reticence of the bereaved wife. It is not until a chance witness recalls an odd encounter between the deceased and a man in a bistro that the veil of propriety protecting the killer begins to dissolve.
Maigret suspects that he’s not being given all the facts in this case as he is drawn deeper into the complex web of family dramas and lies at the heart of it. In Maigret and the Good People of Montparnasse, he must rely on his famous intuition above all to uncover the shocking truth.
Praise for Georges Simenon:
“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian
“These Maigret books are as timeless as Paris itself.” —The Washington Post
“The matchless French crime novelist.” —Adam Gopnik, The New Yorker
“Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People
“I love reading Simenon. He makes me think of Chekhov.” —William Faulkner
“An astute observer of human nature, writing in a spare and vivid style.” —Amor Towles
“I never read contemporary fiction–with one exception: the works of Simenon.” —T.S. Eliot
“A writer as comfortable with reality as with fiction, with passion as with reason.” —John Le Carré
“One of the most important writers of our century.” —Gabriel García Márquez
“A favorite writer of mine.” —Sigrid Nunez
“A great writer of detail, of atmosphere.” —Leïla Slimani
“Feels incredibly modern…A great writer.” —Ian Rankin
“The greatest of all, the most genuine novelist we have had in literature.” —André Gide
“Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London)
“Compelling, remorseless, brilliant.” —John Gray
“A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark
“A novelist who entered his fictional world as if he were a part of it.” —Peter Ackroyd
“Extraordinary masterpieces of the twentieth century.” —John Banville
"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ―Times (London)
"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ―Margaret Atwood
"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ―Financial Times
"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn." ―Stig Abell, The Sunday Times (London)
“A writer as comfortable with reality as with fiction, with passion as with reason.” —John Le Carré
When he is tasked with solving a seemingly motiveless murder, Inspector Maigret must rely on his famous intuition to discover the truth
A retired manufacturer is found murdered with his own pistol in his favorite armchair, shattering the tranquility of a quiet Paris community. The neighbors describe the Josselin household as a bastion of bourgeois compatibility, and Inspector Maigret is stymied by the absence of motive and by the reticence of the bereaved wife. It is not until a chance witness recalls an odd encounter between the deceased and a man in a bistro that the veil of propriety protecting the killer begins to dissolve.
Maigret suspects that he’s not being given all the facts in this case as he is drawn deeper into the complex web of family dramas and lies at the heart of it. In Maigret and the Good People of Montparnasse, he must rely on his famous intuition above all to uncover the shocking truth.
Praise
Praise for Georges Simenon:
“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian
“These Maigret books are as timeless as Paris itself.” —The Washington Post
“The matchless French crime novelist.” —Adam Gopnik, The New Yorker
“Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People
“I love reading Simenon. He makes me think of Chekhov.” —William Faulkner
“An astute observer of human nature, writing in a spare and vivid style.” —Amor Towles
“I never read contemporary fiction–with one exception: the works of Simenon.” —T.S. Eliot
“A writer as comfortable with reality as with fiction, with passion as with reason.” —John Le Carré
“One of the most important writers of our century.” —Gabriel García Márquez
“A favorite writer of mine.” —Sigrid Nunez
“A great writer of detail, of atmosphere.” —Leïla Slimani
“Feels incredibly modern…A great writer.” —Ian Rankin
“The greatest of all, the most genuine novelist we have had in literature.” —André Gide
“Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London)
“Compelling, remorseless, brilliant.” —John Gray
“A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark
“A novelist who entered his fictional world as if he were a part of it.” —Peter Ackroyd
“Extraordinary masterpieces of the twentieth century.” —John Banville
"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ―Times (London)
"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ―Margaret Atwood
"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ―Financial Times
"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn." ―Stig Abell, The Sunday Times (London)
