The Great Gatsby

(Penguin Classics Deluxe Edition)

Introduction by Min Jin Lee
Edited by Philip McGowan
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$18.00 US
Penguin Adult HC/TR | Penguin Classics
24 per carton
On sale Jan 05, 2021 | 978-0-14-313612-5
Sales rights: World
A must-have new edition of one of the great American novels—and one of America's most popular—featuring a new introduction by Min Jin Lee, the New York Times bestselling author of Pachinko, and a striking new cover that brings the quintessential novel of the Roaring Twenties into the 2020s

One of The Atlantic’s Great American Novels of the Past 100 Years

A Penguin Classics Deluxe Edition, with flaps and deckle-edged paper


Young, handsome, and fabulously rich, Jay Gatsby seems to have everything. But at his mansion east of New York City, in West Egg, Long Island, where the party never seems to end, he's often alone in the glittering Jazz Age crowd, watching and waiting, as speculation swirls around him--that he's a bootlegger, that he was a German spy during the war, that he even killed a man. As writer Nick Carraway is drawn into this decadent orbit, he begins to see beneath the shimmering surface of the enigmatic Gatsby, for whom one thing will always be out of reach: Nick's cousin, the married Daisy Buchanan, whose house is visible from Gatsby's just across the bay.

A brilliant evocation of the Roaring Twenties and a satire of a postwar America obsessed with wealth and status, The Great Gatsby is a novel whose power remains undiminished after a century. This edition, based on scholarship dating back to the novel's first publication in 1925, restores Fitzgerald's masterpiece to the original American classic he envisioned, and features an introduction addressing how gender, race, class, and sexuality complicate the pursuit of the American Dream.

For more than seventy-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 2,000 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
“Virtuosic . . . Both imperfect and sublime . . . I’ve read and loved Gatsby for a very long time. . . . I’ve always loved it because it shows that Fitzgerald understood unfairness. . . . I cannot imagine a more persuasive and readable book about lost illusions, class, White Americans in the 1920s, and the perils and vanity of assimilation. . . . I turn to Gatsby because it gives me the sober wisdom to imagine and revise my own American dream, and for that, it has a lasting hold.” ―Min Jin Lee, from the Introduction

“One of the most quintessentially American novels ever written.” ―Time
 
“The American masterwork, the finest work of fiction by any of this country’s writers.” ―The Washington Post

“No novel has more thrillingly portrayed the corrupting obsessions of love and money. . . . The romantic myth of self-creation speaks deeply to readers. . . . The prose, sentence by gorgeous sentence, goes down like spun sugar.” —George Packer, The Atlantic, “The Great American Novels”

About

A must-have new edition of one of the great American novels—and one of America's most popular—featuring a new introduction by Min Jin Lee, the New York Times bestselling author of Pachinko, and a striking new cover that brings the quintessential novel of the Roaring Twenties into the 2020s

One of The Atlantic’s Great American Novels of the Past 100 Years

A Penguin Classics Deluxe Edition, with flaps and deckle-edged paper


Young, handsome, and fabulously rich, Jay Gatsby seems to have everything. But at his mansion east of New York City, in West Egg, Long Island, where the party never seems to end, he's often alone in the glittering Jazz Age crowd, watching and waiting, as speculation swirls around him--that he's a bootlegger, that he was a German spy during the war, that he even killed a man. As writer Nick Carraway is drawn into this decadent orbit, he begins to see beneath the shimmering surface of the enigmatic Gatsby, for whom one thing will always be out of reach: Nick's cousin, the married Daisy Buchanan, whose house is visible from Gatsby's just across the bay.

A brilliant evocation of the Roaring Twenties and a satire of a postwar America obsessed with wealth and status, The Great Gatsby is a novel whose power remains undiminished after a century. This edition, based on scholarship dating back to the novel's first publication in 1925, restores Fitzgerald's masterpiece to the original American classic he envisioned, and features an introduction addressing how gender, race, class, and sexuality complicate the pursuit of the American Dream.

For more than seventy-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 2,000 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Praise

“Virtuosic . . . Both imperfect and sublime . . . I’ve read and loved Gatsby for a very long time. . . . I’ve always loved it because it shows that Fitzgerald understood unfairness. . . . I cannot imagine a more persuasive and readable book about lost illusions, class, White Americans in the 1920s, and the perils and vanity of assimilation. . . . I turn to Gatsby because it gives me the sober wisdom to imagine and revise my own American dream, and for that, it has a lasting hold.” ―Min Jin Lee, from the Introduction

“One of the most quintessentially American novels ever written.” ―Time
 
“The American masterwork, the finest work of fiction by any of this country’s writers.” ―The Washington Post

“No novel has more thrillingly portrayed the corrupting obsessions of love and money. . . . The romantic myth of self-creation speaks deeply to readers. . . . The prose, sentence by gorgeous sentence, goes down like spun sugar.” —George Packer, The Atlantic, “The Great American Novels”