Germinal

Author Emile Zola
Introduction by Roger Pearson
Translated by Roger Pearson
Notes by Roger Pearson
$11.00 US
Penguin Adult HC/TR | Penguin Classics
32 per carton
On sale May 25, 2004 | 9780140447422
Sales rights: US, Canada, Open Mkt
The thirteenth novel in Émile Zola’s great Rougon-Macquart sequence, Germinal expresses outrage at the exploitation of the many by the few, but also shows humanity’s capacity for compassion and hope.

Etienne Lantier, an unemployed railway worker, is a clever but uneducated young man with a dangerous temper. Forced to take a back-breaking job at Le Voreux mine when he cannot get other work, he discovers that his fellow miners are ill, hungry, and in debt, unable to feed and clothe their families. When conditions in the mining community deteriorate even further, Lantier finds himself leading a strike that could mean starvation or salvation for all.

  • New translation

  • Includes introduction, suggestions for further reading, filmography, chronology, explanatory notes, and glossary

“[Germinal] made me realize that when books are considered ‘classics,’ most of the time they’re actually very readable and exciting.” —Daniel Radcliffe
 

About

The thirteenth novel in Émile Zola’s great Rougon-Macquart sequence, Germinal expresses outrage at the exploitation of the many by the few, but also shows humanity’s capacity for compassion and hope.

Etienne Lantier, an unemployed railway worker, is a clever but uneducated young man with a dangerous temper. Forced to take a back-breaking job at Le Voreux mine when he cannot get other work, he discovers that his fellow miners are ill, hungry, and in debt, unable to feed and clothe their families. When conditions in the mining community deteriorate even further, Lantier finds himself leading a strike that could mean starvation or salvation for all.

  • New translation

  • Includes introduction, suggestions for further reading, filmography, chronology, explanatory notes, and glossary

Praise

“[Germinal] made me realize that when books are considered ‘classics,’ most of the time they’re actually very readable and exciting.” —Daniel Radcliffe