“To read On the Road but not Visions of Cody is to take a nice sightseeing tour but to forgo the spectacular rapids of Jack Kerouac’s wildest writings.”—The New York Times Book Review
“The centerpiece of all [Kerouac’s] novels.”—The Washington Post
Originally written in 1951–1952, Visions of Cody was an underground classic by the time it was finally published in 1972, three years after Kerouac’s death. Utilizing a radical, experimental form (“the New Journalism fifteen years early,” as Dennis McNally noted in Desolate Angel), Kerouac examines his own New York life in a collection of colorful stream-of-consciousness essays. Always transfixed by Neal Cassady—here named Cody Pomeray—along with Allen Ginsberg and William Burroughs, Kerouac also explores the feelings he had for a man who inspired much of his work.
Transcribing taped conversations between members of their group as they took drugs and drank, Visions of Cody reveals an intimate portrait of people caught up in destructive relationships with substances, and one another, capturing the members of the Beat Generation in the years before any label had been affixed to them.
"[Y]ou will find some of Kerouac's very best writing in this book. It is funny, it is serious. It is eloquent. To read "On the Road" but not "Visions of Cody" is to take a nice sightseeing tour but to forgo the spectacular rapids of Jack Kerouac's wildest writing." —The New York Times Book Review
“Visions of Cody is [Kerouac's] greatest book, according to his own opinion, and its music is testimony to [his] verbal inventiveness and virtuosity . . . the range and variation of style within his remarkably growing bookshelf is just as remarkable . . . there is a grace, a majesty, and a tenderness to his language . . . both the inspiration and the content of this literature is of an intuitive, emotional, and mystical nature.” —The Village Voice
"The most sincere and holy writing I know of our age." —Allen Ginsburg
“To read On the Road but not Visions of Cody is to take a nice sightseeing tour but to forgo the spectacular rapids of Jack Kerouac’s wildest writings.”—The New York Times Book Review
“The centerpiece of all [Kerouac’s] novels.”—The Washington Post
Originally written in 1951–1952, Visions of Cody was an underground classic by the time it was finally published in 1972, three years after Kerouac’s death. Utilizing a radical, experimental form (“the New Journalism fifteen years early,” as Dennis McNally noted in Desolate Angel), Kerouac examines his own New York life in a collection of colorful stream-of-consciousness essays. Always transfixed by Neal Cassady—here named Cody Pomeray—along with Allen Ginsberg and William Burroughs, Kerouac also explores the feelings he had for a man who inspired much of his work.
Transcribing taped conversations between members of their group as they took drugs and drank, Visions of Cody reveals an intimate portrait of people caught up in destructive relationships with substances, and one another, capturing the members of the Beat Generation in the years before any label had been affixed to them.
Praise
"[Y]ou will find some of Kerouac's very best writing in this book. It is funny, it is serious. It is eloquent. To read "On the Road" but not "Visions of Cody" is to take a nice sightseeing tour but to forgo the spectacular rapids of Jack Kerouac's wildest writing." —The New York Times Book Review
“Visions of Cody is [Kerouac's] greatest book, according to his own opinion, and its music is testimony to [his] verbal inventiveness and virtuosity . . . the range and variation of style within his remarkably growing bookshelf is just as remarkable . . . there is a grace, a majesty, and a tenderness to his language . . . both the inspiration and the content of this literature is of an intuitive, emotional, and mystical nature.” —The Village Voice
"The most sincere and holy writing I know of our age." —Allen Ginsburg
